해방공간 그리고 교착기 한국 무용의 건설과 응전 양상
A Study on the Development of Korean Dance and Its Response to the Confrontation in the Liberation and Confrontation Period
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초록
This study aims to review a new development of Korean dance and its response from August 15, 1945 to June 25, 1950. This period is called as the liberation and confrontation period. In this period, Korean dancing art strived to construct a new Korean art that embeds the Korean spirit. This trend was realized by various creations by new choreographers and was suggested by Chosun Dancing Art Association, and so on, as the collective movements by a variety of groups. Nonetheless, it was notable that the dancers in this period selected South or North depending on their ideology, leading new organizations of the dancing culture. This study has the significance to suggest how the South and North dancing arts were generated with this trend and have been developed so far.
Abstract
This study aims to review a new development of Korean dance and its response from August 15, 1945 to June 25, 1950. This period is called as the liberation and confrontation period. In this period, Korean dancing art strived to construct a new Korean art that embeds the Korean spirit. This trend was realized by various creations by new choreographers and was suggested by Chosun Dancing Art Association, and so on, as the collective movements by a variety of groups. Nonetheless, it was notable that the dancers in this period selected South or North depending on their ideology, leading new organizations of the dancing culture. This study has the significance to suggest how the South and North dancing arts were generated with this trend and have been developed so far.
참고문헌 (23)
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