춤 영역 확장을 위한 ‘태양의 서커스(Cirque du Soleil)’ 컨텐츠 구성요소 분석연구
An Analysis of Cirque du Soleil’s Contents for the Expansion of Dance Choreography Contents.
0
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
This study examines several of the Cirque du Soleil repertories for itsdistinguishing characteristics such as the narratives, technology and movement. Based on this investigation, the study proposes to identify contents that could aidthe expansion of the dance genre in its choreographic contents. Cirque du Soleil’s 「Alegria」, 「Quidam」, 「Totem」 and 「Zaia」 were selected foranalysis based on its extended success, in order to discuss the possible transferablecontents from Cirque du Soleil to the dance genre. Two works of dance companies:Les Ballets C de la B’s 「Evening Prayer」 and Ultima Vez’s 「Blush」 were utilized forfurther discussion. The analysis of the Cirque du Soleil’s four works illustrates that the contentsentail captivating narratives, effective technology and movement that breaks freefrom physical limitations. These distinctive contents were clarified to parallel thosewithin the two dance works of 「Evening Prayer」 and 「Blush」. Although the extent of the movement choreography differed, the fundamentalnature of both genres’ composition was identified to be similar. Therefore, it canbe acknowledged that the genre determines the nature of movement and itschoreography to best deliver the narrative for communication with the audience.
Abstract
This study examines several of the Cirque du Soleil repertories for itsdistinguishing characteristics such as the narratives, technology and movement. Based on this investigation, the study proposes to identify contents that could aidthe expansion of the dance genre in its choreographic contents. Cirque du Soleil’s 「Alegria」, 「Quidam」, 「Totem」 and 「Zaia」 were selected foranalysis based on its extended success, in order to discuss the possible transferablecontents from Cirque du Soleil to the dance genre. Two works of dance companies:Les Ballets C de la B’s 「Evening Prayer」 and Ultima Vez’s 「Blush」 were utilized forfurther discussion. The analysis of the Cirque du Soleil’s four works illustrates that the contentsentail captivating narratives, effective technology and movement that breaks freefrom physical limitations. These distinctive contents were clarified to parallel thosewithin the two dance works of 「Evening Prayer」 and 「Blush」. Although the extent of the movement choreography differed, the fundamentalnature of both genres’ composition was identified to be similar. Therefore, it canbe acknowledged that the genre determines the nature of movement and itschoreography to best deliver the narrative for communication with the audience.
참고문헌 (10)
- 권윤방, "무용학개론" (2003), 대한미디어
- Bouissc, Paul, "Circus and Culture: A Semiotic Approach" (1985), University Press of America
- Culhane, John, "The American Circus: An Illustrated History" (1990), Henry Holt and Company
- 김영아, "가치혁신으로 본 태양서커스(Cirque du Soleil)와 우리나라 서커스의 향후 과제", 비교문학, (55), pp.325~343 (2011), 한국비교문학회
- 박형진, "세계적 엔터테인먼트 그룹 ‘태양의 서커스’", 이코노미 플러스 (2010년 12 월호), ~ (2010)
- 신정아, "퀘벡과 태양의 서커스 : 새로운 서커스 미학을 향하여", 프랑스문화예술연구, 34, pp.549~579 (2010), 프랑스문화예술학회
- 소광웅, "빔 반데케이부스(Wim Vandekeybus) 작품에 나타난 비무용적(Non-danse) 성향에 관한 연구 : 작품 <Blush>, <Puur>를 중심으로", 석사, 무용학과, pp.2012
- 송희영, "공연예술콘텐츠를 활용한 문화산업단지 조성 사례 연구-캐나다 몬트리올 “토우 서커스예술복합단지”를 중심으로", 예술경영연구, 12, pp.60~73 (2010)
- 어수정, "벨기에 현대무용에 나타난 안무성향에 관한 연구", 석사, 무용, pp.2007
- 이가영, "비언술적 공연 요소들의 소통적 기능 - 태양서커스의 공연을 중심으로 -", 대한무용학회 논문집, 68(68), pp.147~162 (2011), 대한무용학회
