테크놀로지를 활용한 융복합 무용 작품분석
Analysis of convergence dance works using technology
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The study aims to comparatively analyze the works of convergence dance using technology. In this study, among the converged dance works using technology, two domestic cases and three overseas cases, which are permitted to disclose the data, were selected to carry out a comparative analysis of the characteristics of convergence technology using technology, and conducted interviews with the choreographers of organizations in Korea. The results of this study are as follows: 《Beyond Black, 2020》 by the Korea National Contemporary Dance Company shows a new choreography method using AI. HOWHYOU’s 《GODOT, 2018》 is aims to automate dance performances, using technologies that were not used in the existing dance performances such as Black 2.0 and Gyrosens AΦE’s 《0AR, 2018》 used AR to allow the audience to focus more, and showed various aspects by changing the graphic appearance of the dancer 《Celestial Motion II, 2019》 by Alexander Whitley Dance Company uses VR and AR motion capture to increase immersion in the work by giving the audience the feeling of being involved in the work together. 《Celestial Motion: Virtual Dance Experience, 2019》 recorded 《Celestial Motion II, 2019》 on a 360-degree camera, complementing the shortcomings of seeing only the flat surface of the work in conventional video. This result will be an important approach to planning dance performances by expanding the changes in time and society ahead of the advent of the 4th Industrial Revolution and expanding the field of view of the audience with higher standards.
Abstract
The study aims to comparatively analyze the works of convergence dance using technology. In this study, among the converged dance works using technology, two domestic cases and three overseas cases, which are permitted to disclose the data, were selected to carry out a comparative analysis of the characteristics of convergence technology using technology, and conducted interviews with the choreographers of organizations in Korea. The results of this study are as follows: 《Beyond Black, 2020》 by the Korea National Contemporary Dance Company shows a new choreography method using AI. HOWHYOU’s 《GODOT, 2018》 is aims to automate dance performances, using technologies that were not used in the existing dance performances such as Black 2.0 and Gyrosens AΦE’s 《0AR, 2018》 used AR to allow the audience to focus more, and showed various aspects by changing the graphic appearance of the dancer 《Celestial Motion II, 2019》 by Alexander Whitley Dance Company uses VR and AR motion capture to increase immersion in the work by giving the audience the feeling of being involved in the work together. 《Celestial Motion: Virtual Dance Experience, 2019》 recorded 《Celestial Motion II, 2019》 on a 360-degree camera, complementing the shortcomings of seeing only the flat surface of the work in conventional video. This result will be an important approach to planning dance performances by expanding the changes in time and society ahead of the advent of the 4th Industrial Revolution and expanding the field of view of the audience with higher standards.
참고문헌 (9)
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