본문 바로가기
KERD
논문KCI 등재

마린스키발레단과 볼쇼이발레단의 움직임 특질 분석 - 「백조의 호수」 중 백조들의 군무를 중심으로

Movement Characteristics of Mariinsky Ballet and Bolshoi Ballet - Focusing on the Swans’ Corps de Ballet Works of Swan Lake -

0

조회

0

다운로드

3

인용

0

참고문헌

키워드

주제분류무용

초록

The purpose of this study is to identify the different movement characteristics of Mariinsky Ballet and Bolshoi Ballet through the analysis of Swan Lake , specifically the swans’ corps de ballet works in Act one. While Konstantin Sergeyev’s version (1950) and Yuri Grigorovich’s version (1969) serve as the set repertoire of Marrinsky Ballet and Bolshoi Ballet respectively, both of these restaged works generally maintain the traditional choreography by Marius Petipa and Lev Ivanov in 1895. Hence this study employs the Effort analysis of Laban’s theory to analyze how each company’s corps de ballet differently approaches and performs the (more or less) same choreography, as a way to identify the specific movement characteristics and to elaborate two different swan images produced in these works. In doing so, this study isolates each company’s distinct aesthetic value and artistic taste, while alerting the importance of developing further researches on the various ballet companies’ aesthetical uniqueness.

Abstract

The purpose of this study is to identify the different movement characteristics of Mariinsky Ballet and Bolshoi Ballet through the analysis of Swan Lake , specifically the swans’ corps de ballet works in Act one. While Konstantin Sergeyev’s version (1950) and Yuri Grigorovich’s version (1969) serve as the set repertoire of Marrinsky Ballet and Bolshoi Ballet respectively, both of these restaged works generally maintain the traditional choreography by Marius Petipa and Lev Ivanov in 1895. Hence this study employs the Effort analysis of Laban’s theory to analyze how each company’s corps de ballet differently approaches and performs the (more or less) same choreography, as a way to identify the specific movement characteristics and to elaborate two different swan images produced in these works. In doing so, this study isolates each company’s distinct aesthetic value and artistic taste, while alerting the importance of developing further researches on the various ballet companies’ aesthetical uniqueness.

참고문헌 (20)

  1. 수잔, 오, "발레와 현대무용" (2004), 시공사
  2. Steinberg, Cobbett, "San Francisco Ballet: The First Fifty Years" (1983), Chronicle Books
  3. Suzanne, Youngerman, "Illuminating Dance: Philosophical Explorations", pp.101~123 (1984), Associated University Press
  4. Valerie, Preston-Dunlop, "A Handbook for Modern Educational Dance" (1963), Macdonald &Evans Ltd
  5. Vera, Kostrovitskaya, "School of Classical Dance: Textbook of the Vaganova Choreographic School" (1995), Dance Books Ltd
  6. 申相美, "무용학적 관점에서의 한국춤 움직임 분석 및 방법론 탐색", 박사, 체육학, pp.1997
  7. 양보현, "라반의 에포트-쉐입 분석을 통한 바가노바와 R.A.D 발레 기법 연구", 석사, 무용, pp.2004
  8. 양영은, "국립발레단에 의해 형성ㆍ변화되는 국가정체성. 영국", 박사, pp.2015
  9. 정유미, "에포트(Effort) 분석법에 의한 오데뜨(Odette)와 오딜(Odile)의 움직임 특성 비교 연구", 석사, 무용학, pp.2007
  10. 김인숙, "바슬라브 니진스키 (Vaslav Nijinsky) 「목신의 오후」 (L'apres midi d' un Faune)의 원시주의적 성향 - LMA(라반 움직임 분석)를 중심으로 -", 무용예술학연구, 27(27), pp.25~51 (2009), 한국무용예술학회
  11. 성지민, "라반의 에포트-쉐입 분석을 통한 작품 속 인물의 움직임 특질 분석 - <백조의 호수> 중 백조와 흑조의 solo 작품 중심으로", 무용역사기록학, 12, pp.79~99 (2007), 무용역사기록학회
  12. 양보현, "라반의 에포트-쉐입 분석을 통한 바가노바와 R.A.D 발레 기법 연구", 한국무용기록학회지, 6, pp.95~114 (2004)
  13. 이경희, "라반의 에포트(Effort) 양극성에 나타난융(Carl Jung)의 심리적 기능", 무용예술학연구, 48(3), pp.91~109 (2014), 한국무용예술학회
  14. 이영주, "에포트", 쉐이프(Effort, 대한무용학회 논문집, pp.2012, 70(3)[DOI]
  15. Robert, Greskovic, "Don’t Blame the Dancers: Whatever Freshness Choreographer Yuri Grigorovich Once Offered has Grown Stale", The Wall Street Journal (2014)

관련 논문AI추천

이 간행물의 다른 논문 (8건)