노장(老莊)사상 『역전 易傳』에서 본 한국 전통춤의 무태(舞態)양상과 사상성 고찰
Ideology of Lao-tzu and Chuang-tzu Yeokjeon
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This study aims at investigating the principle and ideological root of Korean traditional dance by taking notice of the point that the “Yi Zhuan” was originated from the thought of Laozi. So, through This discussion, revealed that the ideological original form and basis of Korean traditional dance were caused by the thought. The study result was drawn into two. First, it was disclosed that the idea of Ying, Yang, Hardness, and Softness of Salpuri-chum (exorcism dance) as a Korean traditional dance had organic relation with the “Yi Zhuan” and “Tuanzhuan”. Second, in the Buddhist dance, the form of “I Ching” of “Taegeuk(the Great Ultimate)” was extracted. Furthermore, dance equipped with the principle of the union of the heaven, earth, and men transcended time and space. Also, it drew the properties of Taegeuk which were manifested in breathing and spiritual energy.
Abstract
This study aims at investigating the principle and ideological root of Korean traditional dance by taking notice of the point that the “Yi Zhuan” was originated from the thought of Laozi. So, through This discussion, revealed that the ideological original form and basis of Korean traditional dance were caused by the thought. The study result was drawn into two. First, it was disclosed that the idea of Ying, Yang, Hardness, and Softness of Salpuri-chum (exorcism dance) as a Korean traditional dance had organic relation with the “Yi Zhuan” and “Tuanzhuan”. Second, in the Buddhist dance, the form of “I Ching” of “Taegeuk(the Great Ultimate)” was extracted. Furthermore, dance equipped with the principle of the union of the heaven, earth, and men transcended time and space. Also, it drew the properties of Taegeuk which were manifested in breathing and spiritual energy.
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