팬데믹(Pandemic)시대에서의 무용예술의 집중과 확산 -작은 공연, 순차적 제작 구조, 개념무용, 영상의 논의 확대-
Concentration and Diffusion of Dance Art in the Pandemic Era
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The conditions for a good dance performance are determined by whether there are expansion and invigoration of discussions about it rather than by whether increasing number of spectators see it. Therefore, the conclusion of this study is as follows. In some cases, the performance for a very small number of audience is unneglectable, which results in highly artistic achievement through the spread of various evaluations and discussions. For this, it needs to be revitalized and reproduced through the establishment of basic infrastructure, personnel allocation, structural construction, active on-line reproduction as dance film, and some cases conceptual dance. While discussing the possibility of artistic achievement of untact art, I propose a performance that saves what is discarded by being consumed less and an environmentally friendly conceptual dance. Finally it is necessary recognize the strengths and weaknesses of online streaming services as regularized untact cases with the possibilities of dance film. Through, it is possible to continue, seek, share, and create new dance art amid the pandemic disaster.
Abstract
The conditions for a good dance performance are determined by whether there are expansion and invigoration of discussions about it rather than by whether increasing number of spectators see it. Therefore, the conclusion of this study is as follows. In some cases, the performance for a very small number of audience is unneglectable, which results in highly artistic achievement through the spread of various evaluations and discussions. For this, it needs to be revitalized and reproduced through the establishment of basic infrastructure, personnel allocation, structural construction, active on-line reproduction as dance film, and some cases conceptual dance. While discussing the possibility of artistic achievement of untact art, I propose a performance that saves what is discarded by being consumed less and an environmentally friendly conceptual dance. Finally it is necessary recognize the strengths and weaknesses of online streaming services as regularized untact cases with the possibilities of dance film. Through, it is possible to continue, seek, share, and create new dance art amid the pandemic disaster.
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