온라인 스트리밍 무용공연 관객의 관람태도 특성 연구
A Study on the Characteristics of Audience Attitudes towards Online Streaming Dance Performance
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The purpose of this study is to analyse the attitudes and characteristics of dance audiences whowatched online performances during the coronavirus pandemic in 2020, and to suggest alternatives toexpand online dance audiences. Through 11 interviewers, it was found that audiences behave in onlineperformances according to the experiences they have accumulated within the traditional theatre system. Based on the results of an interview survey, alternative ways to expand the online dance audiences inthe future can be discussed as follows. First, it provides a mobile versions of various video lengths thatcan be viewed multiple times. Second, it establishes a professional online dance theatre with a digitalsystem that can produce a variety of spatial performances. Third, it considers creative internet platformarrangements for online dance audiences. Fourth, it actively utilizes the chat function of online streamingperformances. Fifth, the operations should be arranged considering the convenience of audience. Sixth,intermission operations should be considered for online performances.
Abstract
The purpose of this study is to analyse the attitudes and characteristics of dance audiences whowatched online performances during the coronavirus pandemic in 2020, and to suggest alternatives toexpand online dance audiences. Through 11 interviewers, it was found that audiences behave in onlineperformances according to the experiences they have accumulated within the traditional theatre system. Based on the results of an interview survey, alternative ways to expand the online dance audiences inthe future can be discussed as follows. First, it provides a mobile versions of various video lengths thatcan be viewed multiple times. Second, it establishes a professional online dance theatre with a digitalsystem that can produce a variety of spatial performances. Third, it considers creative internet platformarrangements for online dance audiences. Fourth, it actively utilizes the chat function of online streamingperformances. Fifth, the operations should be arranged considering the convenience of audience. Sixth,intermission operations should be considered for online performances.
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