청화도자 표상으로서의 플로럴 패턴이 지닌 외연과 내포

Abstract

Aesthetic fundamental concept of aesthetic form which formative works have is to understand symbol and form of formative characteristics and shape elements on nature and existence of objects. It can be classified into reproducing, imitating, and objective form and non-reproducing abstract form and the expression of the form has pattern, decoration, theme, and image. Since decorating beauty which floral pattern has as aesthetic form and formative elements, with the structural and aesthetic values, comes from nature and expression of objects which craft works have, the study has basic purpose to evidence expression comprising concept and nature. In Floral pattern of Korean, Chinese, Japanese, and Vietnamese ceramics having glory days in the 13th-17th, wishing messages of naturalism, Zen Buddhism, Taoism, life style and traditional folk thought were realized to appear. Therefore, pattern and decorating beauty appeared in craft works have discrimination as aesthetic value measuring instrument of pictorial component. In intention and comprehension which floral pattern of formative symbol appeared in blue and white porcelains has, content aesthetics and formal aesthetics by set condition and necessity nature set up consilience relations. It means, along with implication of ontological meaning, mutual connecting formal condition as aesthetic aspect that phenomenological structure is expressed as formative expression. The main discovery point of the study confirmed that aesthetic form of floral motive implied philosophical aesthetics and ontological state and had visual formative elements and structural value differentiated by characteristics of nation and region.