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알렉산더 맥퀸(Alexander McQueen)의 재킷에 관한 연구

A study of Alexander McQueen's Jacket

이미숙|이정은|도월희
한국의류산업학회 (The Society of Fashion and Textile Industry)|2016.04|한국의류산업학회지 (The Korean Fashion and Textile Research Journal)|제18권 제2호|pp. 194-206

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참고문헌

키워드

알렉산더 맥퀸재킷jacket(재킷)테일러링fashion designer(패션디자이너)clothing construction(의복구성)Alexander McQueen(알렉산더 맥퀸)tailoring(테일러링)
주제분류생활과학

초록

This study analyzed jackets by Alexander McQueen that have always pleased customers with traditional tailoring via every season’s collection. This study categorized and then analyzed jackets by components such as silhouette, jacket length, collar, lapel, sleeve, shoulder line, and closure methods. To achieve the research goal, the study referred to photographs of 501 jackets introduced in signature brand collections by Alexander McQueen between 1996 and 2010. The analysis results on McQueen’s jackets with the general components of the clothes indicated that the frequency of traditional tailoring components (such as lapels, tight sleeves, natural shoulder lines, and a button closing method) was higher than the frequency of designs of dramatic, deconstructive patterns examined by previously-conducted research. This shows that Alexander McQueen was cognizant to the responsibilities as a tailor and the basics of tailoring when developing jacket designs. This study also confirmed how McQueen enjoyed adding exaggerated jacket design components by making various use of details that emphasize drastic shapes like the hourglass silhouette, wing collar (that covers the shoulders), peaked lapel collar, kimono sleeve, bell sleeve, crescent shoulder, and pagoda shoulder.

Abstract

This study analyzed jackets by Alexander McQueen that have always pleased customers with traditional tailoring via every season’s collection. This study categorized and then analyzed jackets by components such as silhouette, jacket length, collar, lapel, sleeve, shoulder line, and closure methods. To achieve the research goal, the study referred to photographs of 501 jackets introduced in signature brand collections by Alexander McQueen between 1996 and 2010. The analysis results on McQueen’s jackets with the general components of the clothes indicated that the frequency of traditional tailoring components (such as lapels, tight sleeves, natural shoulder lines, and a button closing method) was higher than the frequency of designs of dramatic, deconstructive patterns examined by previously-conducted research. This shows that Alexander McQueen was cognizant to the responsibilities as a tailor and the basics of tailoring when developing jacket designs. This study also confirmed how McQueen enjoyed adding exaggerated jacket design components by making various use of details that emphasize drastic shapes like the hourglass silhouette, wing collar (that covers the shoulders), peaked lapel collar, kimono sleeve, bell sleeve, crescent shoulder, and pagoda shoulder.

참고문헌 (60)

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