“Life is hopelessly frayed, all loose ends＂: The Disruption of a Female subjectivity in LYn Hejinian's My Life

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참고문헌 (23)

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2. "The Mnemonics of Autobiography", pp.315~14 35 (1991)
3. "Leningrad", American Writers in the Soviet Union, 1991, ~[DOI]
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8. "From Outlaw to Classic Canons in American Poetry", pp.144~70 (1995), U of Wisconsin P,
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10. "Language and Realism Language of Inquiry", pp.86~105 (2000)
11. "The Rejection of Closure", pp.270~91 (1985)
12. "Postmodern Romance and the Descriptive Fetish of Vision in Fanny Howe's The Lives of a Spirit and Lyn Hejinian's My Life We Who Love to Be Astonished", pp.141~51 (2002)
13. "Language Poetry and Collective Life", 30, pp.132~59 (2003)
14. "My Life through the Eighties", pp.319~34 (1992)
15. "U of Minnesota P", pp.3~30 (1989)
16. "Camp Messianism or the Hopes of Poetry in Late Late Capitalism", 76(3), pp.579~602 (2004)
17. "The Marginalization of Poetry" (1996), Princeton UP
18. "The Dance of the Intellect" (1992), Cambridge UP
19. "The New Princeton Encyclopedia of Poetry and Poetics" (1993), Princeton UP
20. "The Meta-Physick of Play", pp.213~12 44 (1984)
21. "Eight Justifications for Cannonizing Lyn Hejinian's My Life", 27, pp.102~19 (1996)
22. "The New Sentence" (1987), Roof Books
23. "Resignifying Autobiography: Lyn Hejinian's My Life", 68(1), pp.139~59 (1996)

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