수행성과 퍼포먼스의 생산적 간극: 『인형의 집』에 나타난 입센의 드라마터지를 중심으로
Difference/Distance between Performativity and Performance: Ibsen's Dramaturgy in A Doll's House
0
조회
0
다운로드
8
인용
0
참고문헌
키워드
초록
Judith Butler, with her theory of performativity, questions the idea of 'stable' identities to insist that identity exists only in a reiterated 'doing' that is coerced by a cultural apparatus. Querying the relation between performativity and performance, this paper first attempts to examine how theatrical performance is ‘othered’ by Austin and Butler who exclude performance from their theories of performativity and also by recent theories of avant-garde theatre—“ideology of modernisms.” Instead of undoing the difference/distance between performativity and performance delineated by Austin and Butler, however, this paper endeavors to re-appropriate the difference from a more dialectical stance. Theatre performance is different from but indispensible “outside” of real life’s performativity. The distance between performativity and performance creates a specific site of seeing that is absolutely necessary for us to reflect on and intervent into the process of making reality. By analyzing the way A Doll’s House exposes, speculates, and communicates gender performativity with focus on three key mis-en-scenes (Doll House, Nora’s Dance, and Nora’s Door), I argue for theatre performance as a site/frame for the investigation on the "concealed or dissimulated conventions" of performativity.
Abstract
Judith Butler, with her theory of performativity, questions the idea of 'stable' identities to insist that identity exists only in a reiterated 'doing' that is coerced by a cultural apparatus. Querying the relation between performativity and performance, this paper first attempts to examine how theatrical performance is ‘othered’ by Austin and Butler who exclude performance from their theories of performativity and also by recent theories of avant-garde theatre—“ideology of modernisms.” Instead of undoing the difference/distance between performativity and performance delineated by Austin and Butler, however, this paper endeavors to re-appropriate the difference from a more dialectical stance. Theatre performance is different from but indispensible “outside” of real life’s performativity. The distance between performativity and performance creates a specific site of seeing that is absolutely necessary for us to reflect on and intervent into the process of making reality. By analyzing the way A Doll’s House exposes, speculates, and communicates gender performativity with focus on three key mis-en-scenes (Doll House, Nora’s Dance, and Nora’s Door), I argue for theatre performance as a site/frame for the investigation on the "concealed or dissimulated conventions" of performativity.
참고문헌 (17)
- 김진나, "입센의 무대 이미지 읽기-≪인형의 집≫을 중심으로", 한국연극학, (30), pp.35~61 (2006), 한국연극학회
- 이경미, "현대공연예술의 수행성과 그 의미", 한국연극학, (31), pp.135~167 (2007), 한국연극학회
- 이정진, "문학연구와 전위의식: 미국 아방가르드 연극운동의 이론적 유산과 극문학 연구의 위기", 안과밖:영미문학연구, (31), pp.245~279 (2011), 영미문학연구회
- 전혜은, "근대적 주체 이후의 행위성: 주디스 버틀러의 행위성 이론", 영미문학페미니즘, 19(2), pp.153~191 (2011), 한국영미문학페미니즘학회
- 지혜, "마부 마인의 <인형집>(Dollhouse) 공연 분석 -연극성과 수행적 성별(peformative gender)의 전경화(foregrounding)-", 한국연극학, (36), pp.175~198 (2008), 한국연극학회
- 최성희, "입센과 동아시아의 신여성-마쓰이 수마코와 나혜석의 경우", 한국연극학, (30), pp.215~244 (2006), 한국연극학회
- 최영주, "연극성의 실천적 개념", 한국연극학, (31), pp.243~278 (2007), 한국연극학회
- Austin, J.L., "How To Do Things With Words, 2nd ed" (1975), Harvard University P
- Blau, Herbert, "Take Up the Bodies: Theater at the Vanishing Point" (1982), U of Illinois P
- Butler, Judith, "Gender Trouble: Feminism and the Subversion of Identity" (1990), Routledge
- Butler, Judith, "Bodies That Matter: On the Discursive Limit of “Sex”" (1993), Routledge
- Diamond, Elin, "Unmaking Mimesis: Essays on Feminism and Theater" (1997), Routledge
- Ibsen, Henrik, "A Doll's House" (1972), Samuel French, Inc.
- Jameson, Frederick A, "Singular Modernity: Essay on the Ontology of the Present" (2002), Verso
- Lloyd, Moya, "Performativity, Parody, Politics, In Performativity and Belonging", pp.195~213 (1999), Sage
- Moi, Toril, "Ibsen, Theatre, and the Ideology of Modernism", Theatre Survey, 45(2), pp.247~252 (2004)
- Moi, Toril, "‘First and Foremost a Human Being’: Idealism, Theatre, and Gender in A Doll's House", Modern Drama, 49(3), pp.256~284 (2006)