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이분법적 경계를 넘나드는 실잣기의 미학: 마누엘 푸익의 『거미여인의 키스』읽기

Spinning across the Binaries: A Critical Reading of Manuel Puig’s Novel Kiss of the Spider Woman

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Kiss of the Spider Woman problematizes the oppositional divides of politics and desire, masculinity and femininity, and heterosexuality and homosexuality. Valentin and Molina seduce each other, learn through dialogism, and reflect on their own shadows. Valentin ignored love and individual pleasure in the name of Marxist ideology and political responsibility for social change. However, he comes to accept the importance of private needs and feelings, and the imperative to examine his machismo. Molina conforms to male-dominant gender norms while he values femininity and criticizes effeminophobia. Valentin encourages Molina to raise his political consciousness about oppression and to develop self-respect. Valentin and Molina teach each other and make one another explore their contradictions. Telling tales about films functions as a means to communicate with each other and to bridge between reality and fantasy. Molina adopts and manipulates diverse film narratives to come into close relation with Valentin. Finally, in a reversal of roles, Valentin becomes the storyteller, and Molina becomes involved in political activism. In his Kiss of the Spider Woman, Puig seeks an integration of reason and heart, as well as sexual liberation and political progress, at the spot where the boundary of “I” and “You” is blurry.

Abstract

Kiss of the Spider Woman problematizes the oppositional divides of politics and desire, masculinity and femininity, and heterosexuality and homosexuality. Valentin and Molina seduce each other, learn through dialogism, and reflect on their own shadows. Valentin ignored love and individual pleasure in the name of Marxist ideology and political responsibility for social change. However, he comes to accept the importance of private needs and feelings, and the imperative to examine his machismo. Molina conforms to male-dominant gender norms while he values femininity and criticizes effeminophobia. Valentin encourages Molina to raise his political consciousness about oppression and to develop self-respect. Valentin and Molina teach each other and make one another explore their contradictions. Telling tales about films functions as a means to communicate with each other and to bridge between reality and fantasy. Molina adopts and manipulates diverse film narratives to come into close relation with Valentin. Finally, in a reversal of roles, Valentin becomes the storyteller, and Molina becomes involved in political activism. In his Kiss of the Spider Woman, Puig seeks an integration of reason and heart, as well as sexual liberation and political progress, at the spot where the boundary of “I” and “You” is blurry.

참고문헌 (14)

  1. 김용호, "아르헨티나 <더러운 전쟁>에 대한 저항과 기억의 양태", 라틴아메리카연구, 16(2), pp.435~463 (2003), 한국라틴아메리카학회
  2. 김태중, "세계화와 라틴아메리카의 정체성*-「거미여인의 키스」를 중심으로-", 라틴아메리카연구, 17(1), pp.95~120 (2004), 한국라틴아메리카학회
  3. 전기순, "마누엘 뿌이와 시네마 소설: 소설 『부에노스아이레스 사건』 the Buenos Aires Affair을 중심으로", 이베로아메리카연구, 8, pp.313~339 (1997)
  4. 푸익, 마누엘, "거미 여인의 키스" (2000), 민음사
  5. Allan, Jonathan A., "Femininity and Effeminophobia in Manuel Puig’s Kiss of the Spider Woman", Mosaic: A Journal for the Interdisciplinary Study of Literature, 47(3), pp.71~87 (2014)
  6. Bolling, Ben, "Manuel Puig: The Exploration and Subversion of Stereotypes", Bulletin of Hispanic Studies, 80, pp.247~256 (2003)
  7. Bost. David H., "Telling Tales in Manuel Puig’s ‘El beso de la mujer araña’", South Atlantic Review, 54(2), pp.93~106 (1989)
  8. Echarvarren, Roberto, "Manuel Puig: Beyond Identity", World Literature Today, 65(4), pp.581~585 (1991)
  9. Levine, Suzanne Jill, "Manuel Puig and the Spider Woman: His Life and Fictions" (2001), U of Wisconsin P
  10. Puig, Manuel, "Kiss of the Spider Woman" (1979), Vintage
  11. Puig, Manuel, "Manuel Puig, The Art of Fiction", Paris Review, 31, pp.129~147 (1989)
  12. Puig, Manuel, "A Last Interview with Manuel Puig", World Literature Today, 65(4), pp.571~578 (1991)
  13. Sloan, De Villo, "Manual Puig’s Kiss of the Spider Woman as Post-literature", International Fiction Review, 14(1), pp.23~26 (1987)
  14. Zimmerman, Shari A., "‘Kiss of the Spider Woman’ and the Web of Gender", Pacific Coast Philology, 23(1, pp.2) (1988), 106~113

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