한국 음악에서 작곡에 대한 개념적 고찰
The Conceptional Investigation of Composition in Korean Music
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The advent of Western influence has brought about many changes to Korean music. The most significant were the division of Korean musical culture into kugak (traditional Korean music) and yangak (Western music) and the rise of a new genre, ch'angjak kugak, "new compositions for traditional instruments". Kim Kisu, who was trained as a traditional court music performer in the early 20th century, was the first modern composer of music for traditional instruments. His music was written in staff notation incorporating various Western elements, including harmony, diatonic scales, and playing techniques based on Western instrument practices. Though he was trained as a court musician, his works demonstrated a desire to embrace Western culture and music in his compositions. Since the rise of a new genre, several scholars and musicians have insisted that the concept of composition was introduced from Western music in the Korea of the early 20th, and the composition was not existed in the past in Korea. However, in my opinion, Korean people used to use different concept of composition in the past. Every culture has peculiar musical productive systems, therefore, it is not right to say that Korean did not have the concept of composition in the past.
Abstract
The advent of Western influence has brought about many changes to Korean music. The most significant were the division of Korean musical culture into kugak (traditional Korean music) and yangak (Western music) and the rise of a new genre, ch'angjak kugak, "new compositions for traditional instruments". Kim Kisu, who was trained as a traditional court music performer in the early 20th century, was the first modern composer of music for traditional instruments. His music was written in staff notation incorporating various Western elements, including harmony, diatonic scales, and playing techniques based on Western instrument practices. Though he was trained as a court musician, his works demonstrated a desire to embrace Western culture and music in his compositions. Since the rise of a new genre, several scholars and musicians have insisted that the concept of composition was introduced from Western music in the Korea of the early 20th, and the composition was not existed in the past in Korea. However, in my opinion, Korean people used to use different concept of composition in the past. Every culture has peculiar musical productive systems, therefore, it is not right to say that Korean did not have the concept of composition in the past.
참고문헌 (17)
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