신경과학과 음악미학의 아름다운 만남
The Encounter between the Aesthetics of Music and the Meuroscience
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
This paper will survey recent research about the attempt to use neuroscience to understand music and musical behavior, and examine how deeply this new, emerging field of neuroscience can influence the traditional field of music aesthetics. All of human mental and bodily activities are conceived, played and perceived through the brain. Thus it can not be free from the constraints of our neural systems. Study of the biological base about the musical activities started long time ago in the field of music-physiology and music-psychology. But the emergence of powerful new measurement techniques such as neuroimaging (e.g., fMRI) and electroencephalography allows new methods of approaches to the human mental activities and burgeoning many interdisciplinary fields allied with neuroscience. Neuroesthetics is the one of them. Neuroesthetics, which is proposed by Dr. Semir Zeki, is the new way of the aesthetic studies to examine the neural laws of art and aesthetics. In this article, it will be also reviewed this new research results and examined the prospect of its future.
Abstract
This paper will survey recent research about the attempt to use neuroscience to understand music and musical behavior, and examine how deeply this new, emerging field of neuroscience can influence the traditional field of music aesthetics. All of human mental and bodily activities are conceived, played and perceived through the brain. Thus it can not be free from the constraints of our neural systems. Study of the biological base about the musical activities started long time ago in the field of music-physiology and music-psychology. But the emergence of powerful new measurement techniques such as neuroimaging (e.g., fMRI) and electroencephalography allows new methods of approaches to the human mental activities and burgeoning many interdisciplinary fields allied with neuroscience. Neuroesthetics is the one of them. Neuroesthetics, which is proposed by Dr. Semir Zeki, is the new way of the aesthetic studies to examine the neural laws of art and aesthetics. In this article, it will be also reviewed this new research results and examined the prospect of its future.
참고문헌 (29)
- Ball, P., "Facing the Music", Nature, 453 (2008)
- Besson, M, "“Comparison between language and music”, The cognitive neuroscience of Music" (2003), Oxford Univ. Press
- Blood, A. J, "Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions", Nature, 2(4) (1999)
- Churchland, P.S, "Neurophilosophy : Toward a Unified Science of the Mind-Brain(뇌과학과 철학)" (1989), MIT Press;서울: 철학과 현실사
- Drake, C, "“The quest for universals in temporal processing in music”, in: The cognitive neuroscience of Music" (2003), Oxford Univ. Press
- Greenfield, Susan, "Brain Story(브레인 스토리)" (2000), BBC;서울: 지호
- Huron, D, "Lost in Music", Nature, 453 (2008)
- Juslin, Patrick, "Music and emotion" (2001), Oxford University Press
- LeDoux, J, "Synaptic Self(시냅스와 자아)" (2002), Brkckman, Inc.;동녘 사이언스
- Levitin, Daniel, "This is your brain on music(뇌의 왈츠)" (2006), Dutton; 서울: 마티
- Meyer, L.B, "Emition and Meaning in Music(음악의 의미와 정서)" (1991), 서울: 예솔
- Patel, A.D, "Language, music, syntax and the brain", Nature Neuroscience, 6(7) (2003)
- Patel, A.D, "Talk of the tone", Nature, 453(5) (2008)
- Patel, A. D. Music, "Language and the Brain" (2007), Oxford: Oxford Univ. Press
- Peretz, Isabelle, "The cognitive neuroscience of music" (2003), Oxford University Press
- Pinker, Steven, "How the Mind Works(마음은 어떻게 작동하는가)" (1997), Brockman Inc.;파주: 동녘 사이언스
- Ramachandran, V. S, "Phantoms in the Brain(라마찬드란 박사의 두뇌 실험실)" (2000), Brockman, Inc.;서울: 바다
- Seele, W. P, "Can Neuroaesthetices Earn Its Keep?", presented at the Central Division Meeting of The American Philosophical Association (2007)
- Sloboda, John, "The ear of the beholder", Nature, 454 (2008)
- Sloboda, John, "Psychology for Musicians" (2007), (Oxford University Press
- Trainor, L, "The neural roots of music", Nature, 453 (2008)
- Trehub, S.E, "“Musical Predispositions in infancy: An Update”, The cognitive neuroscience of Music" (2003), (Oxford Univ. Press
- Wallin, N. L, "The Origins of Music" (1999), MIT Press, Cambridge, Massachusetts
- Zatorre, R, "When the brain plays music: auditory-motor interactions in music perception and production", Nature, 8 (2007)
- Zeki, Semir, "Innervision" (1999), Oxford University Press
- Zeki, Semir, "Splendours and miseries of the brain", Philosophical Transactions of the Royal Society B, 354, pp.2053~2065 (1999)
- Zeki, Semir, "Artistic creativity and the brain", Science, 293, pp.51~52 (2001)
- Zeki, Semir, "Neural Concept formation and art : Dante, Michelangelo, Wagner", Journal of Consciousness Studies, 9, pp.53~76 (2002)
- 이미경, "전통음악과 미적 인식", 한국음악학학회․한국국악학회 공동학술대회 발표자료집 (2005)