종교개혁과 잔혹무대―『타이터스 안드로니커스』의 역사주의적 읽기
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Abstract
Yeeyon Im (Yonsei U)Titus Andronicusis one of the most underrated plays in the Shakespearecanon. The objection to the play mainly comes from its unbearable and exces-sive cruelty of onstage violence, rape, mutilation and murder to a degree ofmaking it a ridiculous and absurd farce. It is easy to discredit the mutilatedbody parts and corpses in the play as mere sensationalism and bad taste, as isdemonstrated in the critical reception of the play up to the early twentieth cen-tury. This essay, by reassessing those moments of violence in the light of post-Reformation discourse of martyrdom, reads the play as active comment andintervention on contemporary religious conflicts and bloody persecution.Projected onto its historical moment of post-Reformation England, the wholecycle of revenge in the play from human sacrifice, rape, mutilation, beheading,bloodletting to cannibalism works as a reminder of cruel religious reality, thusinterrogating the validity of violence committed in the name of religion. Titus’ancient Rome is saturated with Catholic language, ritual and ideas, with theoutsiders of Goths and Aaron the Moor insinuating Protestant ideas. Violenceand mutilation are expressed in martyrological terms. Religious reality of
참고문헌 (40)
- Baker, George P, "‘Tittus and Vespacia’ and ‘Titus and Ondronicus’ in Henslowe’s Diary", pp.66~76 (1901)
- Bate, Jonathan, "Introduction", pp.1~121 (1995), London: Routledge
- Bate, Jonathan, "Lucius, the Severely Flawed Redeemer of Titus Andronicus: A Reply", 6(3), pp.331~334 (1996)
- Broude, Ronald, "Roman and Goth in Titus Andronicus", pp.27~34 (1970)
- Chambers, E. K, "The Elizabethan Stage" (1923), Clarendon Press
- Daniell, David, "Shakespeare and the Protestant Mind", 54, pp.1~12 (2001), Cambridge: Cambridge UP
- Dessen, Alan C, "Titus Andronicus" (1989)
- Eliot, T. S, "Seneca in Elizabethan Translation", pp.65~105 (1932)
- Fawcett, M. L, "Arms", Words, pp.1983[DOI]
- Foakes, R. A, "Henslowe’s Diary. 2nd ed" (2002), Cambridge: Cambridge UP
- Harbage, Alfred, "Annals of English Drama 975-1700: An Analytical Record of All Plays, Extant or Lost" (1989)
- Hulse, S. Clark, "Wresting the Alphabet: Oratory and Action in Titus and Andronicus", pp.106~18 (1970)
- James, Heather, "Shakespeare’s Troy: Drama, Politics and the Translation of Empire" (1997), Cambridge: Cambridge UP
- Jones, Emrys, "Reclaiming Early Shakespeare", 51(1), pp.31~50 (2001)
- Jonson, Ben, "Bartholomew Fair" (2000), Manchester, Manchester UP
- Kendall, Gillian Murray, "‘Lend Me Thy Hand’: Metaphor and Mayhem in Titus Andronicus", pp.299~316 (1989)
- Klause, John, "Politics, Heresy, and Martyrdom in Shakespeare’s Sonnet 124 and Titus Andronicus", pp.219~40 (2000), London: Garland
- Kliger, Samuel, "The Gothic Revival and the German translatio", pp.73~103 (1947)
- Knott, John Ray, "Discourses of Martyrdom in English Literature, 1563-1694", pp.1563~1694 (1993)
- Kolin, Philip C, "Titus Andronicus and the Critical Legacy", pp.3~55 (1995), London: Garland
- Marcus, Leah, "Puzzling Shakespeare: Local Reading and its Discontents" (1988)
- Marotti, Arthur F, "‘Love is Not Love’: Elizabethan Sonnet Sequences and the Social Order", pp.396~428 (1982)
- Metz, G. Harold, "Shakespeare’s Earliest Tragedy: Studies in Titus Andronicus" (1996), London: Associated UP
- Miola, Robert S, "An Alien People Clutching their Gods’?: Shakespeare’s Ancient Religions", 54, pp.31~45 (2001), Cambridge: Cambridge UP
- Moschovakis, Nicholas R, "Irreligious Piety’ and Christian History: Persecution as Pagan Anachronism in Titus Andronicus", 53(4), pp.460~486 (2002)
- Moschovakis, Nicholas R, "Topicality and Conceptual Blending: Titus Andronicus and the Case of William Hacket", 33(1), pp.127~150 (2006)
- Muir, Edward, "Ritual in Early Modern Europe (2nd ed)" (2005), Cambridge: Cambridge UP
- Ravenscroft, Edward, "Titus Andronicus, or The Rape of Lavinia: A Tragedy, Alter’d from Mr. Shakespeare’s Works", pp.238~48 (1974)
- Rowe, Katherine A, "Dismembering and Forgetting in Titus Andronicus", pp.279~303 (1994)
- Schlueter, June, "Rereading the Peacham Drawing", 50(2), pp.171~184 (1999)
- Shakespeare, William, "Titus Andronicus" (1995), London: Routledge
- Spencer, T. J. B, "Shakespeare and the Elizabethan Romans", pp.27~38 (1957)
- Taylor, Anthony Brian, "Lucius, the Severely Flawed Redeemer of Titus Andronicus", 6(2), pp.138~157 (1996)
- Taylor, Anthony Brian, "The Clown Episode in Titus Andronicus, the Bible and Cambises", 46(2), pp.210~211 (1999)
- scenes, , 2001, 13~30, pp.Cambridge: Cambridge UP
- Tennenhouse, Leonard, "Power on Display: The Politics of Shakespeare’s Genres" (1986)
- Tricomi, Albert H, "The Aesthetics of Mutilation in Titus Andronicus", pp.11~19 (1974)
- Waith, Eugene M, "The Metamorphosis of Violence in Titus Andronicus", pp.39~49 (1957)
- Wilson, Richard, "Secret Shakespeare: Studies in Theatre, Religion and Resistance" (2004), Manchester: Manchester UP
- Yates, Frances, "The Imperial Theme in the Sixteenth Century" (1975)