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셰익스피어 로마극의 재평가: 『안토니와 클레오파트라』를 중심으로
A Revaluation of Shakespeare's Roman Plays: the Case of Antony and Cleopatra
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참고문헌 (26)
- Adelman, Janet, "The Common Liar: An Essay on Antony and Cleopatra" (1973), New Haven: Yale UP
- Alvis, John, "The Religion of Eros: A Re-interpretation of Antony and Cleopatra", Renascence, 30, pp.185~198 (1978)
- Barroll, J. Leeds, "Antony and Pleasure", The Journal of English and Germanic Philology, 57, pp.708~720 (1958)
- Bartels, Emily, "Spectacles of Strangeness: Imperialism, Alineation, and Marlowe" (1993), Philadelphia: U of Pennsylvania P
- Belsey, Catherine, "Cleopatra's Seduction (Alterative Shakespeare 2)", pp.38~62 (1996), London: Routledge
- Bevington, David, "Shakespeare" (2002), Oxford: Blackwell
- Bradley, A. C, "Oxford Lectures on Poetry" (1965), London: Macmillan
- Clare, Janet, "Marlowe's 'theatre of cruelty' (In Constructing Christopher Marlowe)", pp.74~87 (2001), Cambridge: Cambridge UP
- de Sousa, Geraldo U, "Shakespeare's Cross-Cultural Encounters" (1999), London: Macmillan
- Fisch, Harold, "Antony and Cleopatra: The Limits of Mythology", Shakespeare Survey, 23, pp.59~67 (1970)
- Fitz, L. T, "Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism", SQ, 28, pp.297~316 (1977)
- Harris, Jonathan Gill, ""Narcissus in thy face": Roman Desire and the Difference it Fakes in Antony and Cleopatra", SQ, 45, pp.408~425 (1994)
- Knight, G. Wilson, "The Imperial Theme" (1965), London: Methuen
- Macdonald, Ronald, "Playing Till Doomsday: Interpreting Antony and Cleopatra", English Literary Renaissance, 15, pp.78~99 (1985)
- Macmullan, Katherine, "Death Imagery in Antony and Cleopatra", SQ, 14, pp.399~410 (1963)
- Nandy, Dipak, "he Realism of Antony and Cleopatra (In Shakespeare in a Changing World)", pp.172~194 (1964), London: Lawrence & Wishart
- Scott, Michael, "Antony and Cleopatra: Text and Performance" (1983), London: Macmillan
- Shakespeare, William, "Antony and Cleopatra" (1990), Cambridge: Cambridge UP
- Simmons, J. L, "Antony and Cleopatra and Coriolanus, Shakespeare's Heroic Tragedies: A Jacobean Adjustment", Shakespeare Survey, 26, pp.95~101 (1973)
- Singh, Jyotsna, "Renaissance Antitheatricality, Antifeminism, and Shakespeare's Antony and Cleopatra", Renaissance Drama, 20, pp.99~121 (1989)
- Steppat, Michael, "The Critical Reception of Shakespeare's Antony and Cleopatra From 1607To 1905" (1980), Amsterdam: Verlag B. R. Gruner
- Thomas, Vivian, "Shakespeare's Roman Worlds" (1989), London: Routledge
- Virgil, "The Aeneid" (1944), New York: Heritage
- Wells, Stanley, "Shakespeare: The Poet and His Plays" (2001), London: Methuen
- Wofford, Susanne L, "Shakespeare's Late Tragedies: A Collection of Critical Essays" (1996), Upper Saddle River, N. J. : Prentice
- 박우수, "말로우 극작품에 나타난 제국주의 비판", 외국문학연구, 15, pp.131~149 (2003)
관련 논문AI추천
클레오파트라의 연극성과 전복성-『앤토니와 클레오파트라』김종환한국영어영문학회 · 영어영문학2004 · 제50권 제3호『안토니와 클레오파트라』에서의 이중 파국이용관한국셰익스피어학회 · Shakespeare Review2007 · 제43권 제3호『안토니와 클레오파트라』에 나타난 페미니즘 전략과 그 한계김경혜한국셰익스피어학회 · Shakespeare Review2006 · 제42권 제4호로마 사극에 나타난 셰익스피어의 민중관: 『줄리어스 시저』와 『코리오레이너스』김종환한국셰익스피어학회 · Shakespeare Review2006 · 제42권 제3호「안토니와 클레오파트라」: 사랑의 비극에 나타난 사랑의 담론과 여성의 주체성?고석기한국셰익스피어학회 · Shakespeare Review2003 · 제39권 제4호담론과 타자 재현의 양상: 『앤토니와 클레오파트라』권진영, 김종환한국셰익스피어학회 · Shakespeare Review2004 · 제40권 제2호
