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셰익스피어 로마극의 재평가: 『안토니와 클레오파트라』를 중심으로

A Revaluation of Shakespeare's Roman Plays: the Case of Antony and Cleopatra

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참고문헌 (26)

  1. Adelman, Janet, "The Common Liar: An Essay on Antony and Cleopatra" (1973), New Haven: Yale UP
  2. Alvis, John, "The Religion of Eros: A Re-interpretation of Antony and Cleopatra", Renascence, 30, pp.185~198 (1978)
  3. Barroll, J. Leeds, "Antony and Pleasure", The Journal of English and Germanic Philology, 57, pp.708~720 (1958)
  4. Bartels, Emily, "Spectacles of Strangeness: Imperialism, Alineation, and Marlowe" (1993), Philadelphia: U of Pennsylvania P
  5. Belsey, Catherine, "Cleopatra's Seduction (Alterative Shakespeare 2)", pp.38~62 (1996), London: Routledge
  6. Bevington, David, "Shakespeare" (2002), Oxford: Blackwell
  7. Bradley, A. C, "Oxford Lectures on Poetry" (1965), London: Macmillan
  8. Clare, Janet, "Marlowe's 'theatre of cruelty' (In Constructing Christopher Marlowe)", pp.74~87 (2001), Cambridge: Cambridge UP
  9. de Sousa, Geraldo U, "Shakespeare's Cross-Cultural Encounters" (1999), London: Macmillan
  10. Fisch, Harold, "Antony and Cleopatra: The Limits of Mythology", Shakespeare Survey, 23, pp.59~67 (1970)
  11. Fitz, L. T, "Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism", SQ, 28, pp.297~316 (1977)
  12. Harris, Jonathan Gill, ""Narcissus in thy face": Roman Desire and the Difference it Fakes in Antony and Cleopatra", SQ, 45, pp.408~425 (1994)
  13. Knight, G. Wilson, "The Imperial Theme" (1965), London: Methuen
  14. Macdonald, Ronald, "Playing Till Doomsday: Interpreting Antony and Cleopatra", English Literary Renaissance, 15, pp.78~99 (1985)
  15. Macmullan, Katherine, "Death Imagery in Antony and Cleopatra", SQ, 14, pp.399~410 (1963)
  16. Nandy, Dipak, "he Realism of Antony and Cleopatra (In Shakespeare in a Changing World)", pp.172~194 (1964), London: Lawrence & Wishart
  17. Scott, Michael, "Antony and Cleopatra: Text and Performance" (1983), London: Macmillan
  18. Shakespeare, William, "Antony and Cleopatra" (1990), Cambridge: Cambridge UP
  19. Simmons, J. L, "Antony and Cleopatra and Coriolanus, Shakespeare's Heroic Tragedies: A Jacobean Adjustment", Shakespeare Survey, 26, pp.95~101 (1973)
  20. Singh, Jyotsna, "Renaissance Antitheatricality, Antifeminism, and Shakespeare's Antony and Cleopatra", Renaissance Drama, 20, pp.99~121 (1989)
  21. Steppat, Michael, "The Critical Reception of Shakespeare's Antony and Cleopatra From 1607To 1905" (1980), Amsterdam: Verlag B. R. Gruner
  22. Thomas, Vivian, "Shakespeare's Roman Worlds" (1989), London: Routledge
  23. Virgil, "The Aeneid" (1944), New York: Heritage
  24. Wells, Stanley, "Shakespeare: The Poet and His Plays" (2001), London: Methuen
  25. Wofford, Susanne L, "Shakespeare's Late Tragedies: A Collection of Critical Essays" (1996), Upper Saddle River, N. J. : Prentice
  26. 박우수, "말로우 극작품에 나타난 제국주의 비판", 외국문학연구, 15, pp.131~149 (2003)

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