정철 <將進酒辭>와 박인로 <勸酒歌> 대비 고찰

Abstract

This paper’s purpose is to comparatively study Jeong Cheol’s Jangjinjusa and Park Inro’s Gwonjuga. The reason is because it is possible to secure one of our own wine offering song traditions from Korean Literature if these two works are correctly identified, for these two works can act as a link between Chinese poetry Akbu’s (Music Bureau) Jangjinjiu followed the Jangjinju tradition in China and Korean Wine Offering Songs of the later 12 Gasa style. We can understand this condition from that Jeong Cheol’s work title is the same as that of Chinese poetry Akbu and Park Inro’s work title is the same as that in 12 Gasa style. Accordingly, I’d like to compare both in this paper. Both contents are based on Jangjinju's universal emotions of sorrow and sentiment. It is meaningful that Jeong Cheol’s Jangjinjusa is not of simple Yongsa (Shi Quotation) but of Jangjinju universality written in Korean. In contrast, Park Inro’s Gwonjuga borrows most of its verses with Shi Quotations, but it is meaningful that he added his own feelings in the midst of its translation. For their forms, I studied their lengths and structures first. Jangjinjusa is structurally characterized in new creation of an intensive prose song in short 3 lines. In contrast, Gwonjuga, became lengthy for it accommodated various Yongsas to meet tastes of banquet attendees. For their expressions, while the former enhanced meaning by climaxes and rhyming couplets, the latter advanced the work using Yongsas and interrogations as major rhetoric.