『춘향전』 中 춘향방 그림사설의 변화 양상과 의미

Abstract

The kinds of pictures, the location of the pictures and the functions of the pictures of Chun-hyang room's painting Saseol have been changing in various ways during long time from the different versions of Chun-hyangjeon to now. Therefore, it was necessary to focus reason leading to change of Chun-hyang room. In line with this, this study analyzed the meaning of new and special experiences caused by the change of Chun-hyang romm's paintin Saseol. Chun-hyang's room explains the personality and characteristic of Chun-hyang. Also, it is an important narrative space for the first night with Lee Doryung. It changes from Muninhwa to Minhwa in painting displayed in Chun-hyung room from the first half of the 19th century. The position where the picture is sequentially placed moved in the room and in the house, again in the room change of type and position of painting alters the function of painting to Gamsanghwa-Gilsanghwa-Yuhuihwa-Jujehwa. Based on this change, the value of the new and unique experience of Chun-hyang room's paintings in Chun-hyang jeon written in the 19th century is contributed to reader's desires. The striking change in Chun-hyang room's painting Saseol is the conversion of Muninhwa paintings to Minhwa in the first half of the 19th century, and the conversion of living items, which use to decorate the house in the middle of the 19th century, to room decoration paintings. In th late 19th century, the most prosperous painting Saseol gradually diminishes. This change suggests an increase in the status of readers of Pansori and Pansori novels. In addition, based on the space description method using the arrangement of paintings and the painting materials of the ancient pottery paintings centered on Chinese people, it seemed to be influenced by Chinese literature. However, paintings Saseol shown in room of Chun-hyang was reduced and disappeared because the theme of Chun-hyangjeons changed to ‘Lyeol(烈)’. Chun-hyang room's painting Saseol has been handed down for a long time and it can be studied as a competitive Saseol. In particular, the most preferred method during the changing times was reflected in the painting Saseol, which indicated that change of Saseol can be studied in time-dependent. In the context, change pattern and meaning of Chun-hyang room's painting Saseol is able to explain the cause and the direction of change of Chun-hyangjeon.