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<逸民歌>의 內的 짜기방법

Inward forming method of Ilminga(song of hermit)

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주제분류한국어와문학

초록

‘Ilminga'(song of hermit) figured writer's intention in detail so that it is well costructed. The writer separated his unfortunate reality(resigned from government service by another's will) from his life and, at the same time keep reality in his viewpoint(gothic viewpoint of royalty). Figuring this double life is standard of estimation of this work. And the subject is a peaceful life in Gangho that involved double psychology. In analysis of this work, it is focused that subject matters and phrases, pieces of content interact in whole context. And the basis of figuring is reality of writer and psychological reaction of that. The writer's eye in work is on present time. Figuring technique of this work is appeared in duality technique in costructuring contents. To use this technique effectively, causality, parallel sentences and repetition of synonymous meaning are used properly. It shows that form of this work is reason of the four steps in composition. As a result, the purpose of this study is to explain that to put writer's particular intention into work, theory that bind consistently figured meanings in regular relation.

Abstract

‘Ilminga'(song of hermit) figured writer's intention in detail so that it is well costructed. The writer separated his unfortunate reality(resigned from government service by another's will) from his life and, at the same time keep reality in his viewpoint(gothic viewpoint of royalty). Figuring this double life is standard of estimation of this work. And the subject is a peaceful life in Gangho that involved double psychology. In analysis of this work, it is focused that subject matters and phrases, pieces of content interact in whole context. And the basis of figuring is reality of writer and psychological reaction of that. The writer's eye in work is on present time. Figuring technique of this work is appeared in duality technique in costructuring contents. To use this technique effectively, causality, parallel sentences and repetition of synonymous meaning are used properly. It shows that form of this work is reason of the four steps in composition. As a result, the purpose of this study is to explain that to put writer's particular intention into work, theory that bind consistently figured meanings in regular relation.

참고문헌 (7)

  1. 한국고전번역원, "고전번역서 각주정보검색", ~
  2. 黃淳九, "靑丘永言硏究, 附錄 吳氏本 靑丘永言" (1980), 금방울사
  3. 姜銓爕, "賞春曲의 作者를 둘러싼 問題 -逸民歌와 賞春曲의 和同性", 東方學志, (23ㆍ24합집), pp.229~251 (1980), 연세대학교 국학연구원
  4. 具壽榮, "尹爾厚의 ‘逸民歌’ 연구", 東岳語文論集, (7), pp.209~243 (1971), 동악어문학회
  5. 김명준, "<일민가(逸民歌)>의 의식 지향과 시가사적 의미", 한국시가연구, (18), pp.143~165 (2005), 한국시가학회
  6. 尹泳杓, "綠雨堂의 家寶(비매품)", 117~118 (1988)
  7. 조연숙, "<일민가> 연구 -작가의식과 공간의식을 중심으로-", 고시가연구, (22), pp.315~336 (2008), 한국고시가문학회

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