<續美人曲>의 眞面目
A study for ‘Sokmiingok’ true character
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초록
Jeongcheol's 'Sokmiingok' is a love song that is based on innate and extremely devoted a loyalty to a king. In this work, the main context and writing motive is the worrying heart of speaker who want to get a news from her lover(the king). The purpose of this study is to find out esthetic cohesion of context, through arranging the content of work by time order, and analyzing the meaning of expression. Every act of this work has been done in the past time except this ond day schedule. It is the first step to understand structure of this work. The concrete and practical description is the figuring technique that generate speaker‘s innermost feelings effectively. Expressions are accorded with writing purpose and an idea consistently. And cohesion of the context can be showed from continual enumeration of acts that is in the flowing time. At the end, two speakers are figured by two heart of one man. Main speaker is the one who speaks innermost feelings. The other speaker play a role that does main speaker‘s ‘speech’ and show real situation of main speaker in the last part.
Abstract
Jeongcheol's 'Sokmiingok' is a love song that is based on innate and extremely devoted a loyalty to a king. In this work, the main context and writing motive is the worrying heart of speaker who want to get a news from her lover(the king). The purpose of this study is to find out esthetic cohesion of context, through arranging the content of work by time order, and analyzing the meaning of expression. Every act of this work has been done in the past time except this ond day schedule. It is the first step to understand structure of this work. The concrete and practical description is the figuring technique that generate speaker‘s innermost feelings effectively. Expressions are accorded with writing purpose and an idea consistently. And cohesion of the context can be showed from continual enumeration of acts that is in the flowing time. At the end, two speakers are figured by two heart of one man. Main speaker is the one who speaks innermost feelings. The other speaker play a role that does main speaker‘s ‘speech’ and show real situation of main speaker in the last part.
참고문헌 (6)
- 임기중, "歷代歌辭文學全集 제2권", pp.581~584 (1987), 아세아문화사
- 김사엽, "註解ㆍ解題 松江歌辭" (1959), 문호사
- 최태호, "松江文學論考" (2000), 도서출판 역락
- 서영숙, "‘속미인곡’의 서술방식과 의미 In: 한어문교육 제7집", pp.149~174
- 조세형, "가사를 통해 본 여성적 글쓰기, 그 반성과 전망", 한국고전여성문학연구, 0(12), pp.235~264 (2006), 한국고전여성문학회
- 이유진, "<사미인곡> ․ <속미인곡>의 분석심리학적 해석", 문학치료연구, 7, pp.145~168 (2007), 한국문학치료학회