<일민가> 연구 -작가의식과 공간의식을 중심으로-
A Study on <Ilminga> -Focused on author's consciousness and space consciousness-
0
조회
0
다운로드
7
인용
0
참고문헌
키워드
초록
The existing studies on the <Ilminga> have been inclined only to the exterior of the work. Therefore, this study laid the emphasis on researching the interior of the work and considered the author's consciousness and space consciousness presented in the work. The author's consciousness can be divided into two major categories ; politician's consciousness and poet's consciousness. The author recites the life as poet who pretends to be an Ilmin in the world. Nevertheless, this is only a persona of 'Ilmin', the real innate existence and unconscious self of Anima shows strong consciousness of government officials. In addition, he attempts an ontological conversion by pursuing the vertical space in his given horizontal space. Through an excelling inclination towards the space where the sky, the moon, and mountains exist, he confers the meaning of revival to his space and realizes the substance of desire and wish which are presented by 'Bookguel' and 'Chuksungsoo' in the end. Therefore, it can be concluded that <Ilminga> is not a song that simply addressing the tranquility of Ilmin. It is a song of desire and wish which presents the strong resentment of the author who could not be an Ilmin.
Abstract
The existing studies on the <Ilminga> have been inclined only to the exterior of the work. Therefore, this study laid the emphasis on researching the interior of the work and considered the author's consciousness and space consciousness presented in the work. The author's consciousness can be divided into two major categories ; politician's consciousness and poet's consciousness. The author recites the life as poet who pretends to be an Ilmin in the world. Nevertheless, this is only a persona of 'Ilmin', the real innate existence and unconscious self of Anima shows strong consciousness of government officials. In addition, he attempts an ontological conversion by pursuing the vertical space in his given horizontal space. Through an excelling inclination towards the space where the sky, the moon, and mountains exist, he confers the meaning of revival to his space and realizes the substance of desire and wish which are presented by 'Bookguel' and 'Chuksungsoo' in the end. Therefore, it can be concluded that <Ilminga> is not a song that simply addressing the tranquility of Ilmin. It is a song of desire and wish which presents the strong resentment of the author who could not be an Ilmin.
참고문헌 (11)
- 강전섭, "<상춘곡>의 작자를 둘러싼 문제-<일민가>와 <상춘곡>의 和同性", 동방학지, (23-24) (1980), 연세대 국학연구원
- 곽광수, "가스통 바슐라르" (1995), 민음사
- 구수영, "윤이후의 ‘일민가’ 연구", 동악어문논집, (7) (1971), 동악어문학회
- 김명준, "<일민가(逸民歌)>의 의식 지향과 시가사적 의미", 한국시가연구, (18), pp.143~165 (2005), 한국시가학회
- 김열규, "한국문학사" (1994), 탐구당
- 김은자, "한국 현대시의 공간의식에 관한 연구", 박사, pp.1986
- 이경희, "<정과정>의 정서와 공간, 문학 상상력과 공간" (1992), 도서출판 창
- 이재선, "우리 문학은 어디에서 왔는가" (1987), 소설문학사
- 가스통 바슐라르, "공간의 시학" (1990), 민음사
- 멀치아 엘리아데, "聖과 俗" (1989), 학민사
- 필립 윌라이트, "은유와 실재" (1982), 문학과 지성사