조선의 마지막 여성문인 南貞一軒의 삶과 문학

Abstract

Nam-Jeong Il Heon(1840-1922) was born in the late Choseon Dynasty and lived in a Korean citizen of Japanese colonial era. Jeong Il heon's literary works are handed down 65 Chinese poems and one memorial sentence. Jeong Il Heon was the last generation of women's Chinese literature who was fluent in Chinese and proficient in Chinese. In addition, by creating lyric works, a genre of Korean literature, she is a female writer who has written a bilingual literary work that is rare in the history of Korean women's literature. He was respected as "a great expert" among his relatives, and men from both male family members inside and outside recited Jeong Il-Heon's poems. In this study, 65 Chinese poems of Jeong Il heon in analyzed as follows. First, the yearning for a parents. Second, adoption of a son and mother's love. Third, the four seasons and scenery of Ganyang-ri. Fourth, Taegeuk's philosophy of confucian. Fifth, the life of bondage and suffering. Sixth, Eescape the world and the yearning of the SinSunSeGe. Jeong Il-heon's Chinese poems are generally characterized by the loneliness of empty Gyubang, which is seen in Choseon women's Chinese poems, and the story of waiting for Jeong In under a lonely lantern. It is a world of works that shows dignity of women and and the status of Classical Women's Poetry. The significance of Jeong Il heon's Chinese poem was that it inherited the tradition of women's history of chinese poetry. Second, it was the continuation of Hoseo's philosophy of women. Thus, it can be meaningful that the genre of women's Chinese literature has become the last successor to Choseon's women's Chinese literature at the point of the Japanese colonial period when it disappeared into history.