전기서사의 기법적 전통과 <주생전>에서의 변화와 의미

Abstract

The main goal of this paper is to look at the traditions and changes of narrative techniques that appear in the Chonki(傳奇) from a synchronic perspective, focusing on Joosangjeon. Therefore, in this study, the traditional techniques of chuanchi were outlined, and then the realization of narrative appeared in Joosangjeon were analyzed. Based on this, the value and significance of this work were reviewed. First, the narrative implementation and technical tradition of the chuanchi were reviewed. Chuanchi has a tradition of utilizing the virtual world to realize narratives. It became fixed as a narrative practice, and the chuanchi became a narrative literature with eccentricity. The virtual world can be divided into mong-yu, fableer, and ghost marriage. Since most of our chuanchi converges to each type, it is useful to divide it into three. Problems that are realistically difficult to address can be described indirectly but more powerfully in this virtual world. Second, the aspect of narrative realization in Joosangjeon was analyzed. The narrative composition of Joosangjeon omitted the introductory frame from the frame structure of the chuanchi described the internal frame, and provided additional information that added credibility to the internal frame's story in the closing frame. In particular, setting the internal frame, which is a virtual world, as the Ming Dynasty, which is a real world, is a different composition from the existing chuanchi. With such a variation in the virtual world, it was possible to escape from the eccentricity by breaking away from the ultramundane, and as the characters of the virtual world were expelled, secular characters could be placed in the front of the narrative. And not only did secular figures with personal desires develop events verisimilitude from a selfish point of view, but they also dealt with conflict and antagonism, unlike previous stories that dealt with harmony and fulfillment in the virtual world. Third, the significance of Joosangjeon viewed through the realization of the narrative was viewed. Joosangjeon can be recognized for its value in that it has renewed its narrative technique. In Joosangjeon, the entire narrative content was guaranteed to be realistic as all the virtual world were eliminated. The transformation of the virtual world of chuanchi into a realistic world deserves to be recognized in terms of techniques. In addition, the inflection point of the history of fiction which Joosangjeon made should be evaluated. By transforming the virtual world into the Ming Dynasty, this work allowed it to develop into a secular narrative, free from the discourse leaning on eccentricity. It is also worth evaluating that China, which has been replaced by a virtual world, has established itself as a major spatial background for our novels.