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리처드 3세와 권력의 연극성

Politics of Theatricality in Shakespeare’s Richard III

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Richard III dramatized the theatricality of political power. During the reign of Elizabeth I, the theatricality of power was practiced by the court, and the political power of a monarch was considered theatrical. Queen Elizabeth I was a monarch who knew the importance of creating a positive image and tried to appropriate the images of the political situation of England. Theatricality is an indispensable element in the process of creating images and appropriating images. Shakespeare, in his political drama Richard III, not only reflects the theatricality of political power but also the power of this theatricality. In particular, theatricality is manipulated and appropriated by Richard, a villain who usurps the English throne. This paper examines how theatricality is manipulated by Richard and how it is used to attain and enforce his political power.

Abstract

Richard III dramatized the theatricality of political power. During the reign of Elizabeth I, the theatricality of power was practiced by the court, and the political power of a monarch was considered theatrical. Queen Elizabeth I was a monarch who knew the importance of creating a positive image and tried to appropriate the images of the political situation of England. Theatricality is an indispensable element in the process of creating images and appropriating images. Shakespeare, in his political drama Richard III, not only reflects the theatricality of political power but also the power of this theatricality. In particular, theatricality is manipulated and appropriated by Richard, a villain who usurps the English throne. This paper examines how theatricality is manipulated by Richard and how it is used to attain and enforce his political power.

참고문헌 (14)

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  2. 김종환, "『 자에는 자로』 에 나타난 연극의 정치성", Shakespeare Review, 50(1), pp.33~52 (2014), 한국셰익스피어학회
  3. 방승희, "깨어진 환상: 리처드(Richard)의 극 만들기", Shakespeare Review, 50(1), pp.85~107 (2014), 한국셰익스피어학회
  4. 박우수, "『리처드 3세』의 극적 구조", 외국문학연구, (31), pp.85~104 (2008), 외국문학연구소
  5. Brooke, Nicholas, "Reflecting Gems and Dead Bones: Tragedy vs. History in Richard III", Critical Quarterly, 7, pp.123~134 (1965)
  6. Carroll, William C., "Shakespearean Criticism 19", pp.164~169 (1993), Gale Research
  7. Garber, Majorie, "Coming of Age in Shakespeare" (1981), Metheun
  8. Hammersmith, James P., "The Melodrama of Richard III", English Studies, 70(1), pp.28~36 (1989)
  9. Neill, Michael, "Shakespeare’s Halle of Mirrors: Play, Politics, and Psychology in Richard III", Shakespeare Studies, 8, pp.99~130 (1975)
  10. Orgel, Stephen, "The Illusion of Power: Political Theater in the English Renaissance" (1975), California UP
  11. Sanders, Wilbur, "The Dramatist and the Received Idea : Studies in the Plays of Marlowe and Shakespeare" (1968), Cambridge UP
  12. Shakespeare, William, "The Oxford Shakespeare" (1914), Oxford UP
  13. Spivack, Bernard, "Shakespeare and the Allegory of Evil" (1958), Columbia UP
  14. Tillyard, E. M. W., "Shakespeare’s History Plays" (1946), Penguin Books

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