알 파치노의 리처드 재현: <리처드를 찾아서>(Looking for Richard)
Al Pachino’s Representation of Richard in Looking for Richard
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Looking for Richard (1996) is a documentary film presenting the process of making a drama rather than being an adaptation of Shakespeare’s original work Richard III. Al Pacino, the director as well as the actor in this film, tries to reproduce Richard III in a way that modern audiences can easily understand. Pacino simplifies the complex historical backgrounds and Richard’s character. Richard is a complicated character who reveals a wide variety of personalities, but Pacino focuses on Richard’s evil and cruelty, and deceit in his manipulation of power. The focus is on how to characterize and reproduce the personality of the original character. Pacino selects particular scenes that reveal these aspects and explains and discusses how the actors are working on these scenes. The film cuts across two areas of documentary and dramatic performance, but the focus is on the process of making a dramatic performances by interpreting, discussing, and practicing Shakespearean characters. Pacino is a director, an actor, a guide to method acting, an interviewer, a narrator, and a commentator in this documentary film. This article discusses the role of Pacino and his selection of certain scenes from Shakespeare’s original work. Moreover, it examines his rendering of those scenes and responses of the audience to the rendering.
Abstract
Looking for Richard (1996) is a documentary film presenting the process of making a drama rather than being an adaptation of Shakespeare’s original work Richard III. Al Pacino, the director as well as the actor in this film, tries to reproduce Richard III in a way that modern audiences can easily understand. Pacino simplifies the complex historical backgrounds and Richard’s character. Richard is a complicated character who reveals a wide variety of personalities, but Pacino focuses on Richard’s evil and cruelty, and deceit in his manipulation of power. The focus is on how to characterize and reproduce the personality of the original character. Pacino selects particular scenes that reveal these aspects and explains and discusses how the actors are working on these scenes. The film cuts across two areas of documentary and dramatic performance, but the focus is on the process of making a dramatic performances by interpreting, discussing, and practicing Shakespearean characters. Pacino is a director, an actor, a guide to method acting, an interviewer, a narrator, and a commentator in this documentary film. This article discusses the role of Pacino and his selection of certain scenes from Shakespeare’s original work. Moreover, it examines his rendering of those scenes and responses of the audience to the rendering.
참고문헌 (18)
- Adams, Thelma, "Review of Looking for Richard", The New York Post, ~ (1996)
- Aune, M. G., "Star Power: Al Pacino, Looking for Richard and the Cultural Capital of Shakespeare on Film", Quarterly review of film and video, 23(4), pp.353~367 (2006)
- Brode, Douglas, "Shakespeare in the Movies" (2000), Oxford UP
- Buhler, Stephen M., "Shakespeare in the Cinema: Ocular Proof" (2002), State U of New York P
- Coe, Jonathan, "Looking for Richard", New Statesman, 126(4319), pp.41~ (1997)
- Corliss, Richard, "Suddenly Shakespeare", Time, 148(21), pp.88~90 (1996)
- Hodgdon, Barbara, "Replicating Richard: Body Doubles, Body Politics", Theater Journal, 50, pp.207~225 (1998)[DOI]
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- 강석주, "「리처드 3세」 영상화에 나타난 시각의 차이: 론크레인의 <리처드 3세>와 알파치노의 <리처드를 찾아서>", Shakespeare Review, 48(2), pp.201~225 (2012), 한국셰익스피어학회[DOI]
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- London, Todd, "Shakespeare in a strange land", American Theatre, 15(6), pp.22~30 (1998)
- Looking for Richard, "Fox Searchlight Pictures", Directed by Al Pacino, produced by Michael Hadge and Al Pacino, ~ (1996)
- Marshall, Kelli, "The Creative Process and the Power of Art in Shakespeare Behind Bars, or So This Is What Looking for Richard Meant to Do?", Literature Film Quarterly, 37(2), pp.140~150 (2009)
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- Poole, Gaye, "Bard Day Afternoon : Looking for Richard", Screen Education, 52, pp.141~147 (2008)[DOI]
- Salamon, Linda, "Looking for Richard in History: Postmodern Villainy in Richard III and Scarface", Journal of Popular Film and Television, 28(2), pp.54~63 (2000)
- Schwarzbaum, Lisa, "Great Shakes", Entertainment Weekly, 351, pp.46~ (1996)[DOI]
- Shakespeare, William, "The Oxford Shakespeare" (1914), Oxford UP