표제의식의 측면에서 본 권섭 연시조의 특징적 양상과 18세기적 의미

Abstract

This thesis is one of efforts to find a possible point in which title setting and its patterns act as the source of abundant product in Kwon Seop's Yonsijo(combined Sijo) creation, while discussions on Sijo may have neglected about the title. Through overview of title patterns, I found that the title was the primary foundation of existence of his works in Kwon Seop's Sijos and also by giving subtitles he has showed more various patterns. Particularly, the Byung Jung Young Bun Do, which belongs to the 3rd type, is the good example of delicate climax of concept of title. And the <Maewha> which belongs to the 4th type and has the uniqueness of narrative title shows that some expressions from Song Kang Kasa was essential. Therefore both works worth analyzing and each work helps to abstract characteristic aspect of the concept of title in Kwon Seop's Sijo. Revealed facts in detailed discussion process is connected with catching clues which help to understand the direction of Yonsijo under the 18c's circumstances. And these clues suggests follow-up studies about intensive discussions of Kwon Seop as a writer and his works, and about focusing on 18c's aspect more selectively as a bridge period between 17c and 19c in the history of Sijo as well.