황윤석의 <목주잡가>에 나타난 시(詩) 지향성의 시조사적 조명 - 18세기 시조의 시(詩) 지향성 발견을 중심으로 -

Abstract

This paper is a study on the 18th century poetic historical significance through Hwang Yunseok’s sijo <Mok-Ju-Jab-Ga(木州雜歌)>. First, Hwang Yunseok created this works when he is the best political position in his life, though other sijo writers had created when they are in local province or in exile. Second, the sequence structure of <Mok-Ju-Jab-Ga(木州雜歌)> is not organically, it is a kind of deviation from other historical sijo’s creative custom. And it is also a new trend to express directly writer’s view of the world by sijo. Third, the content of <Mok-Ju-Jab-Ga(木州雜歌)> did not deal with nature and dealt with human. In particular, Hwang Yunseok directly expressed the king and writer’s real family concretely. From this expression of specific information and the fact of writer, we can know that the distance of writer and poetic speaker is very close and this is almost similar like hansi. Namely, Hwang Yunseok, as a diglossic poet, sought a poetry directivity. So, by Hwang YunSeok, we can find the process from Korean classical poetry and songs to Modern Korean poetry in the period of Modern transitional 18th century.