『한여름 밤의 꿈』에 나타난 여성과 성서적 이미지들의 의미
Meaning of Women and Scripture’s Images in A Midsummer Night’s Dream
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The residual culture from Renaissance in Europe would mark a hybrid of Italian Renaissance. The Protestant/Catholic division was settled, for a time by the Elizabethan Religious Settlement, and she proclaimed Anglican Church with a brief period of internal peace with her voice, focusing on Epiphany of Jesus Christ. Cultural Materialists believe that its perspective effectively explains both intercultural variation and similarities. Demographic and religious changes and cultural variation would generate a Hybrid-Italian Renaissance, in other words, the british style Renaissance as a cultural etic, which is from an Italian Renaissance as a cultural emic. William Shakespeare might write about allusion and allegory to have access to biblical universalism for woman’s voice in his comedy: in A Midsummer Night’s Dream. The female characters’ voices: Titania, Hermia in A Midsummer Night’s Dream. Heroines, who might communicate in a kind of equivocal voice or articulated speech for respecting each individual honour and privacy from Shakespeare’s comedy, would be the problem-solver for stabilizing the political situation being similar to those days of England. All in all, heroine characters against not Roman Catholic but also the absurd authority within patriarchical society were probably created by Shakespeare with the female imagination from the history in Elizabeth Tudor’s eloquence and declaration, which would be the evidence of cultural materialism.
Abstract
The residual culture from Renaissance in Europe would mark a hybrid of Italian Renaissance. The Protestant/Catholic division was settled, for a time by the Elizabethan Religious Settlement, and she proclaimed Anglican Church with a brief period of internal peace with her voice, focusing on Epiphany of Jesus Christ. Cultural Materialists believe that its perspective effectively explains both intercultural variation and similarities. Demographic and religious changes and cultural variation would generate a Hybrid-Italian Renaissance, in other words, the british style Renaissance as a cultural etic, which is from an Italian Renaissance as a cultural emic. William Shakespeare might write about allusion and allegory to have access to biblical universalism for woman’s voice in his comedy: in A Midsummer Night’s Dream. The female characters’ voices: Titania, Hermia in A Midsummer Night’s Dream. Heroines, who might communicate in a kind of equivocal voice or articulated speech for respecting each individual honour and privacy from Shakespeare’s comedy, would be the problem-solver for stabilizing the political situation being similar to those days of England. All in all, heroine characters against not Roman Catholic but also the absurd authority within patriarchical society were probably created by Shakespeare with the female imagination from the history in Elizabeth Tudor’s eloquence and declaration, which would be the evidence of cultural materialism.
참고문헌 (31)
- 김영아, "최재서의 ‘질서적 문학관’과 『셰익스피어 예술론』", Shakespeare Review, 56(4), pp.513~535 (2020), 한국셰익스피어학회[DOI]
- 김은혜, "‘동물, 연극, 배우의 몸’—셰익스피어의 동물-되기: 『한여름 밤의 꿈』을 중심으로", Shakespeare Review, 55(1), pp.59~79 (2019), 한국셰익스피어학회[DOI]
- 김종환, "사랑의 얽힘과 풀림: 『한여름 밤의 꿈』에 나타난 사랑의 속성", Shakespeare Review, 45(1), pp.5~25 (2009), 한국셰익스피어학회[DOI]
- 김종환, "『한여름 밤의 꿈』에 나타난 가부장제의 양상", Shakespeare Review, 54(3), pp.437~456 (2018), 한국셰익스피어학회[DOI]
- 셰익스피어, 윌리엄, "자에는 자로" (2001), 성균관대학교 출판부
- 셰익스피어, 윌리엄, "뜻대로 하세요" (2014), 해누리
- 셰익스피어, 윌리엄, "베니스의 상인" (2010), 전예원
- 셰익스피어, 윌리엄, "베니스의 상인" (2005), 홍신 문화사
- 셰익스피어, 윌리엄, "자에는 자로" (2014), 동인
- 셰익스피어, 윌리엄, "베니스의 상인" (2006), 하서
- 조신권, "영문학 속에 나타난 성서의 향기" (1987), 풍만출판사
- 조신권, "예수와 그 주변 사람들의 이야기" (2009), 아가폐문화사
- 조신권, "재미있고 신나는 성경이야기" (2008), 아가페문화사
- 조신권, "존 밀턴의 영성문학과 신학" (2015), 아가페문화사
- 찰스, "한 권으로 읽는 셰익스피어" (2010), 자유로운 상상
- 천종수, "한영해설 성경" (2003), 성서원
- 최천무, "성경" (2005), 한국 천주교 주교회의
- 한도인, "『한여름 밤의 꿈』에 나타난 관계와 소통의 양상", Shakespeare Review, 55(2), pp.235~254 (2019), 한국셰익스피어학회[DOI]
- 한용재, "『한여름 밤의 꿈』(A Midsummer Night’s Dream)에 나타난 사랑의 이율배반적 구조", Shakespeare Review, 52(4), pp.711~733 (2016), 한국셰익스피어학회[DOI]
- Boitani, Piero, "The Gospel according to Shakespeare" (2013), Univ. of Notre Dame Press
- Fromkin, Victoria, "An introduction to language" (1993), Hartcourt Brace College Publishers
- Frye, Northrop, "A Midsummer Night’s Dream", pp.117~132 (1987), Chelsea House
- Hirschkop, Ken, "Bakhin and Cultural theory" (2001), Manchester University Press
- Montrose, Louis Adrian, "The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre" (1996), U of Chicago P
- Montrose, Louis Adrian, "‘Shaping Fantasies’: Figurations of Gender and Power in Elizabethan Culture", Representations, 46, pp.61~94 (1983)
- Shakespeare, William, "The complete Works of William Shakespeare" (2006), Geddes & Grosset
- Shakespeare, William, "A Midsummer Night’s Dream" (2003), Cambridge University Press
- Shakespeare, William, ": As You Like It" (2006), Bloomsbury
- Shakespeare, William, ": A Midsummer Night’s Dream" (2008), Oxford Univ. Press
- Spurgeon, Caroline, "Shakespeare’s Imagery and What It Tells U.s" (1965), Cambridge UP
- Ward, Ian, "Shakespeare and the Legal Imagination" (1999), Butterworths