알고리즘 연극을 통한 『햄릿』의 현대적 재해석: 애니 도슨의 <조각난 작품> 연구

Abstract

Shakespeare’s Hamlet explores the essence of human existence and the significance of humanism by highlighting the protagonist’s contemplation of humanity’s profound potential and existential weight. The play juxtaposes skepticism about human roles with the celebration of human reason, creativity, and noble attributes that underscores themes of Renaissance humanism. This reflection is pertinent today, where reliance on technology can undermine human reason, creativity, and identity. Annie Dorsen’s A Piece of Work (2013) raises fundamental questions about human abilities, values, and identity in a tech-centric world. Dorsen’s “algorithmic theater” employs computer algorithms to generate or alter performances in real-time, which creates unique, unpredictable experiences. Her approach continually reinterprets Shakespeare’s text by illustrating the significant and subtle impacts of algorithmic structures on performance. A Piece of Work uses various algorithmic processes to produce new versions of Hamlet, which combines selected words and phrases from the original text to form distinct narrative structures. This performance challenges traditional theatrical concepts by blending digital and human elements to explore creativity and artistic creation’s essence. This article explores the concept of algorithmic theater by focusing on its ability to generate unique and unpredictable performances, challenging traditional theatrical norms and contributing to contemporary performance art. It also examines broader implications for human creativity and identity, considering how reliance on technology influences our understanding and expression of these concepts. Additionally, this article provides insights into the evolution of theatrical concepts in the digital age, which highlights the potential for innovative performance techniques to redefine the relationship between technology, art, and humanity.