11·12월 노래에 나타난 <動動> 화자의 정서적 변화

Abstract

I researched in this thesis the change of poetic speaker's emotions in <Dongdong(動動)> through the linguistic analyses about the phrases contained in the songs of November and December. The new interpretations proposed through the linguistic analyses is as follows. It is proper that we understand 'sara(사라)' in the phrase of '슬할사라온뎌' as 'sagida(삭이다)' which has the meaning of 'to melt' or 'to make disappeared', 'nyeolsheo(녈셔)' in the phrase of 'gounilsushiomnyeolsheo(고우닐스싀옴녈셔)' as the meaning of 'to make go' which has the nuance of exclamation. And we can interpret 'murasapnoida(므라삽노이다)' in the song of December as a transitive verve of which the fundamental form is 'murada(므라다)' and the meaning is 'to take over'. If we understand 'murasapnoida(므라삽노이다)' in this way, we can explain the morphemes such as 'seop(섭)' and 'o(오)' that have grammatical functions in that phrase. 'Seop(섭)' has the meaning of respect to the object and 'o(오)' agrees with the first person subject. I understood through these analyses that the poetic speaker's feeling changed to abandon the deep attachment to her lover and to assent to a new relationship in the songs of November and December. The change of the poetic speaker's feelings can be perceived in the songs of September and October too. <Dongdong(動動)> can be divided into three parts according to the emotive state of poetic speaker. First part lies between January to August, second from September to October and third from November to December. In the songs which lie between January to August the poetic speaker expresses her earnest love to her lover. In the songs of September and October she represents her heart which was composed more or less and got free from the cling to her lover. And in the songs of November and December she sings her changed emotion with which she abandoned her lover and became to meet a new partner. Therefore it can be said that <Dongdong(動動)> shows not consistent but changed feelings.