眉巖 柳希春 시문의 典故 運用 양상과 의미

Abstract

This study identified the aesthetic meaning of authentic precedents used in poetry by Miam Yu Hui-chun focusing on the range and aspects of the original texts. It was discovered that Yu Hui-chun used a total of 59 kinds of authentic precedents in his poetry a total of 365 times: 12 parts of Confucian classics, 12 parts of history, 21 kinds of miscellaneous class, and 18 kinds of anthology class. The aspects he used authentic precedents in his poetry are categorized into two: One is that he repeatedly used a variety of vocabulary which can cover his conditions and consciousness and the other is that he used authentic precedents too often to complete his poetry so that it is difficult to read. In respect to use of authentic precedents and symmetry of conditions, sparrows in Mt Heutgan to Gongyung in the North Sea adhered to their fidelity and did not neglect their studying although they were wanderers or exiles and in poverty, which indicates Yu Hui-chun's conditions. For ‘frequent use of authentic precedents and difficulty of meaning’, he used authentic precedents which contain lots of human or geological names, and events as important grounds of poetry until he completed his poetry. Therefore, it was difficult to understand what it means. In conclusion, the study analysed the aesthetics of identification in an aspect of agreed poetic conditions through the aspects authentic precedents were used in his poetry and mentioned the aesthetics of scattering although it was deliberately intended.