장면연출의 시간과 공간의 조성 -장면연출의 지향점과 리듬을 중심으로-

Abstract

This thesis deals with the matter of creating of time and space on the stage by directors. Meanings of the time and space, which a kind of complex concept in theatre is, is radically transformed compared with traditional theatre, especially in the boundary between reality and fiction. The modern theatre is focused on movements and images of actor's body and other theatrical components, on the other hands, the actor's speech or language is the focal component in the traditional theatre. So I tried to analyze the scene-directing for other hidden purposes in the modern theatre. As a result, it is revealed that there are some aspects like creating of interpretations-possibility in a scene, of invisible aspect in a real life and of image on spectator's mind in a scene-directing and the creating of these aspects also belonged to director's task except for the simple picturization. This change leads to shift the purpose in scene-directing, that is, director's purpose is no more the picturization of text, but the creating of rhythm that reminds the spectator of the root of the human life. Rhythm is not a simple pattern which is created through the repetition many theatrical components like movement, pitch, melody so on, but the fundamental component which is able to synthesize of these components on the stage. If it is emphasized images, actor's body and movement in the modern theatre, it is also caused ambiguity and disorder because of lack of language. Therefore the creating of the fundamental rhythm can be a effective means for the director who hopes to overcome problems during the scene-directing.