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조선시대 연회도에 나타난 ‘처용무’ 복식 -『악학궤범』 처용무 복식과의 비교를 중심으로 -

A study on the Cheoyongmu's costume of the paintings of Banquets during the Choseon dynasty - Focusing on the Comparison of the Cheoyongmu's costume in Akhakgwebeom -

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주제분류생활과학

초록

Abstract

The -purpose of this study is to examines the Cheoyongmu's costume of the paintings of Banquets during the Choseon dynasty focusing on the Comparison of the Cheoyongmu's costume in Akhakgwebeom. The method of the study is the literature analysis closely the occurrence, feature, and function of the Cheoyongmu by analyzing the costume process of transition of the eras was analyzed into the function and feature. The research was done by comparing and analyzing the difference of the costume in Akhakgwebeom. In term of difference, of the Cheoyongmu's costume of the paintings of Banquets and Akhakgwebeom had the shape and colour. In headgear, Samo(: 紗帽) or Bokdu(:幞頭) was worn and the flower decoration on the Samo and Ui(:衣)was different pattern. The Gilgyong(:吉慶) was not worn. Hye(: 鞋) and Hwa(:靴) was worn and the colour of Hwa was different.

참고문헌 (14)

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  2. 전 혜 숙, "《樂學軌範》에 나타난 處容舞 服飾에 관한 硏究", 복식문화연구, 12(4), pp.33~50 (2004), 복식문화학회
  3. 朴良卿, "朝鮮時代 處容舞服飾에 關한 硏究", 석사, pp.1998
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  5. "三國遺事 券2 新羅 第49代 憲康大王之代", ~
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  7. 박정혜, "조선시대 궁중기록화연구", pp.420~ (2000), 일지사
  8. 민족문화추진회, "국역악학궤범" (1979), 민족문화추진회
  9. 서인화, "조선시대 연회도", pp.25~ (2001), 민속원
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  12. 국립국악원, "조선시대음악풍속도 II", pp.33~ (2004), 민속원
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  14. "純祖己丑珍饌儀軌 上", 서울대규장각, 64~

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