《樂學軌範》에 나타난 處容舞 服飾에 관한 硏究

Abstract

The Chosun Dynasty's establishment of Five-Ceremony, which occurred shortly after its founding, and the revision of traditional Korean music were based on Confucianism's Ceremony-Pleasure Idea(禮樂思想). The purpose of this study is to determine the effect of Cheo-Yong dancing, both social and political, on the role of royal dancing. Furthermore, this study will consider what the Chosun Dynasty's(朝鮮) rulers pursued, by researching the reasonswhy Cheo-Yong dancing changed with the times along with the symbolic change of clothing for Cheo-Yong dancing through〈Ak-Hak-Gue-Bum〉, a book which explains music and dance in Chosun Dynasty as a part of Ceremony-Pleasure Idea(禮樂思想) the people ruled over the country through courtesy etiquette and music. Consequently, Cheo-Yong dancing which was introduced in〈Ak-Hak-Gue-Bum〉 played the roles of justifying, strengthening and displaying royal authority. And because the symbolism of Cheo-Yong dancing is reflected in clothing for Cheo-Yong dancing, it can be concluded that it expresses not only the sense of value of that times but also ruler's idea.