사령수(四靈獸) 민화의 도상해석학적 분석에 의한 패션문화상품 디자인 개발
Development of Fashion Cultural Product Design Based on the Iconological Analysis of Four Auspicious Animals in Korean Folk Painting
1
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
The purpose of this study is to develop fashion cultural products that contain an example of cultural symbolism, which is based on the results of iconological analysis seen on imaginary animals. The method of research was to derive design ideas through a verbal association method, using the technique of mind map as based on the iconological analysis results. In the scarf design, four auspicious animals were used as the main motifs, and the background elements that appeared with each folk painting were used as sub-motifs for each of the four animals. In this case, the Yong was expressed with an image of clouds and flames as sub-motifs, and was strongly represented by the presence of a contrast color combination. In what follows, the Bonghwang was used with the sun and feathers in a stable structure due to its four-way arrangement, and was expressed with its soft light tone. The Shingoo was used with blue and khaki colors of dull and deep tone, and the image of aquatic plants and lotus were used. Finally, with the Kirin was represented by a symmetrical structure as characterized with a dull toned color and square border that provides a sense of stability. The clutch bags were as generally expressed using simple animal motifs, and were composed of a uniform motif and color. The design process used the Illustrator CS6 to perform motifs design. In the end, the process finally developed the actual product of eight scarves and four clutch handbags.
Abstract
The purpose of this study is to develop fashion cultural products that contain an example of cultural symbolism, which is based on the results of iconological analysis seen on imaginary animals. The method of research was to derive design ideas through a verbal association method, using the technique of mind map as based on the iconological analysis results. In the scarf design, four auspicious animals were used as the main motifs, and the background elements that appeared with each folk painting were used as sub-motifs for each of the four animals. In this case, the Yong was expressed with an image of clouds and flames as sub-motifs, and was strongly represented by the presence of a contrast color combination. In what follows, the Bonghwang was used with the sun and feathers in a stable structure due to its four-way arrangement, and was expressed with its soft light tone. The Shingoo was used with blue and khaki colors of dull and deep tone, and the image of aquatic plants and lotus were used. Finally, with the Kirin was represented by a symmetrical structure as characterized with a dull toned color and square border that provides a sense of stability. The clutch bags were as generally expressed using simple animal motifs, and were composed of a uniform motif and color. The design process used the Illustrator CS6 to perform motifs design. In the end, the process finally developed the actual product of eight scarves and four clutch handbags.
참고문헌 (28)
- 조정화, "창의적인 아이디어 발상법의 유형에 따른 몰입도에 관한 연구", 브랜드디자인학연구, 10(4), pp.225~234 (2012), 사단법인 한국브랜드디자인학회[DOI]
- 조정화, "뇌선호도와 창의적 아이디어 발상법과의 상관관계 - 언어적 발상법과 시각적 발상법을 중심으로 -", 커뮤니케이션디자인학연구, 41, pp.121~130 (2012), (사)한국커뮤니케이션디자인협회 커뮤니케이션디자인학회
- 최혜정, "디자인 프로세스에서 아이디어 발상 활성화를 위한 외현화에 대한 문헌적 고찰", 한국디자인문화학회지, 23(2), pp.711~721 (2017), 한국디자인문화학회
- Choi, Y., "A study on scarf design using folk images", master, pp.2014
- Choo, M., "A study of digital pattern which leads the image re-composition of Chosun times folk tale", Journal of Korean Society of Design Science, 46, pp.98~99 (2002)
- Go, S., "Extension method for self-expression ability using mind map : focusing on painting of 'self-portrait'", master, pp.2007
- Gusano, D., "Dictionary of the monster" (2001), Dulnyouk
- Han, S., "패션디자인" (2016), Kyohakyongusa
- Heo, G., "허균의 우리민화 읽기" (2006), Bookfolio
- 허문영, "민화를 통한 텍스타일 패턴 디자인 제작 - 보고논문 -", 일러스트레이션 포럼, 18(51), pp.99~108 (2017), 한국일러스트레이션학회[DOI]
- 현향희, "민화의 도상학적 의미와 상징성 연구 : 윤리문자도를 중심으로", 박사, 문화교차학협동과정 문화예술학전공, pp.2013
- 장현주, "조선시대 민화 <연화도> 콘텐츠를 활용한 문화상품 개발", 복식, 62(5), pp.59~72 (2012), 한국복식학회[DOI]
- Kim, E., "Fashion cultural products design applying Korean folk paintings-focused on ordinary people's desire", Journal of Human Ecology, 18(2), pp.91~108 (2014)
- Kim, B., "The study of idea generation using mind map and SCAMPER in character design education", master, pp.2011
- 김덕용, "색상과 형태의 이미지연상의 유사성에 관한 연구", 한국색채학회논문집, 23(1), pp.81~96 (2009), 한국색채학회
- 김현미, "Alexander McQueen 컬렉션에 표현된 메이크업의 도상학적 해석", 복식, 60(10), pp.118~132 (2010), 한국복식학회
- 김주미, "三足烏ㆍ朱雀ㆍ鳳凰ㆍ圖像의 성립과 친연성 고찰", 역사민속학, (31), pp.233~285 (2009), 한국역사민속학회
- 김지영, "전통문화에 수용된 상상 동물의 도상해석학적 분석 - 사령수(四靈獸) 민화를 중심으로 -", 복식문화연구, 25(2), pp.130~144 (2017), 복식문화학회[DOI]
- Kim, K., "Study on the development of Korean painting appreciation program for junior high school class using iconography", master, pp.2009
- 김윤경, "아이디어 발상 유형화를 통한 창의적 패션 디자인 전개 프로세스 연구", 복식, 60(9), pp.95~105 (2010), 한국복식학회
- Lee, J., "A study on imagination of product design concept by mind map", Archives of Design Research, pp.137~144 (2000)
- 임산, "융합 시대의 예술담론을 위한 이론적 범례 - W.J.T. 미첼과 에르빈 파노프스키", 미학예술학연구, 36, pp.47~70 (2012), 한국미학예술학회
- Paek, M., "A study on the education of advertisement design with application of free association as language -focused on the creating idea about film media advertisement", Proceedings of 2006International Conference on Korean Society of Design Science, pp.168~169 (2006), Korean Society of Design Science
- Panofsky, E., "Studies in iconology -Humanistic themes in the art of the renaissance" (1972), Westview Press
- 송하영, "조선 민화의 연화(蓮花)를 활용한 드레스용 텍스타일 패턴디자인 연구", 한국디자인문화학회지, 19(2), pp.199~207 (2013), 한국디자인문화학회
- Yi, J., "A better way to teach creative poster design", master, pp.2007
- Yoo, Y., "Analysis of Korean image in Lie Sang Bong’s fashion collection - application of the iconology of Erwin Panofsky and the semiotics of Charles W. Morris -", master, pp.2014
- Yun, Y., "민화 이야기" (1997), Designhouse