길상문자도의 색상과 문양 특성을 응용한 텍스타일패턴 및 패션문화상품 디자인
Designs of Textile Pattern and Fashion Cultural Product Utilizing the Characteristic Colors and Patterns of Gilsang Munjado
1
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Gilsang Munjado is a kind of drawing realizing auspicious aspirations or dreams which are potential in human-being. The characters with good auspicious signs are Su, Bok, Gang, Ryeong, Jeong, Bu, Gui, and Heui in Chinese letters. They have rich implications such as Longevity, Good Fortune, Good Nature, Fidelity, Wealth and High Status. These characters are written or embroidered in scrolls or folding screens to wish for a fortunate and glorious life, and not only have the purpose of decoration but also have incantational functions. Therefore, this study aims to rebuild a modern image of Korean pictorial patterns. To do this, firstly, the study uses the Korean pictorial ideograph as a cultural archetype, and it analyzes the characteristics of its forms through a theoretical consideration with a literature and empirical artifact analyses. Secondly, it develops a culture based textile which forms a contemporary Korean design as well as the tradition of traditional culture, based on this result. Thirdly, the ultimate aims is to use them to develop fashion cultural products. That is, after the study develops motifs and patterns based on Su-Bok ja which is found most often out of Gilsang Munjado, it produces textile through desktop publishing, and it uses them to make fashion cultural products as household items.
Abstract
Gilsang Munjado is a kind of drawing realizing auspicious aspirations or dreams which are potential in human-being. The characters with good auspicious signs are Su, Bok, Gang, Ryeong, Jeong, Bu, Gui, and Heui in Chinese letters. They have rich implications such as Longevity, Good Fortune, Good Nature, Fidelity, Wealth and High Status. These characters are written or embroidered in scrolls or folding screens to wish for a fortunate and glorious life, and not only have the purpose of decoration but also have incantational functions. Therefore, this study aims to rebuild a modern image of Korean pictorial patterns. To do this, firstly, the study uses the Korean pictorial ideograph as a cultural archetype, and it analyzes the characteristics of its forms through a theoretical consideration with a literature and empirical artifact analyses. Secondly, it develops a culture based textile which forms a contemporary Korean design as well as the tradition of traditional culture, based on this result. Thirdly, the ultimate aims is to use them to develop fashion cultural products. That is, after the study develops motifs and patterns based on Su-Bok ja which is found most often out of Gilsang Munjado, it produces textile through desktop publishing, and it uses them to make fashion cultural products as household items.
참고문헌 (21)
- 윤열수, "민화이야기", pp.3~4 (2009), 디자인하우스
- 정병모, "민화: 무명화가들의 반란", pp.104~106 (2011), 다할미디어
- 고미경, "민화 문자도를 응용한 니트 디자인 연구", 패션과 니트, 3(1), pp.24~37 (2005)
- 安壽英, "민화를 응용한 텍스타일 디자인 연구 : 책거리 그림과 문자도를 중심으로", 석사, 직물디자인, pp.1997
- 유장웅, "민화문자도의 표현내용과 표현양식에 대한 고찰", 일러스트레이션 포럼, 8(14), pp.215~226 (2007), 한국일러스트레이션학회
- 金明姬, "朝鮮朝 百壽百福圖에 관한 연구", 석사, 공예학, pp.1990
- 정효심, "민화의 수·복 상징 표현연구", 석사, 전통공예학, pp.2007
- 이명구, "동양의 타이포그래피 문자도" (2005), Leedia
- 金星助, "孝悌文字圖연구 : 회화양식적 특성을 중심으로", 석사, 미술교육, pp.1995
- 황은영, "조선시대 길상어문을 응용한 현대 복식디자인 연구", 석사, 복식디자인, pp.2002
- 김만희, "한국의 수복도: 한국민속", pp.100~ (1988), 상미사
- 국립민속박물관, "민화와 장식병풍: 민속유물이해Ⅱ", pp.112~ (2005)
- 金星助, "孝悌文字圖연구 : 회화양식적 특성을 중심으로", 석사, 미술교육, pp.1995
- 유장웅, "한국전통민화 중 문자도에 관한 고찰 : 효제문자도를 중심으로", 석사, 산업디자인, pp.1999
- 장현주, "문화원형을 활용한 패션상품개발을 위한 조형성 분석 -민화 효제문자도를 중심으로-", 한국디자인포럼, (38), pp.27~38 (2013), 한국디자인트렌드학회
- 부산박물관, "행복이 가득한 그림민화", pp.116~ (2007)
- 이영수, "민화대전집 6", pp.907~ (2002), 한일
- 대구가톨릭대학교 박물관, "이태조 여사기증 춘경 콜렉션", pp.146~ (2002)
- 국립중앙박물관, "國立中央博物館寄贈遺物(金英淑寄贈)", pp.114~ (2008)
- 국립민속박물관, "수복(壽福): 장수를 바라는 마음", pp.24~36 (2007)
- 가회박물관, "한국민화: 몽골이 붉은 영웅 한국민화를 만나다", pp.57~ (2009), 가회박물관출판부