Development of a Cultural Design Framework for Textiles and Fashion: A Case Study on the Application of Traditional Cultural Elements in Fashion Design Through Interviews.
2
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The value of the creative cultural industry has increased substantially. Notwithstanding this auspicious outlook, traditional cultural design is frequently perceived as antiquated, and the incorporation of symbolic cultural meanings into contemporary textile design remains deficient. This study proposes a novel cultural design framework, integrating multi-directional approaches in contemporary textile design in fashion to revitalize traditional cultural elements. To establish a theoretical foundation, critical literature reviews were carried out on the cultural design process in general. The subsequent phase involved the formulation of cultural design criteria and the conceptual model for an enabling cultural design process. The framework's practicality and adaptability were then assessed through a series of experiments and in-depth interviews with designers. The proposed framework is significant for three primary reasons: 1) A thorough review of diverse design methodologies was conducted, presenting alternative perspectives to address the theoretical nexus between design and culture, 2) A novel cultural design framework was introduced to foster a culturally rooted design approach founded on creativity, and 3) Empirical investigation revealed that the proposed framework effectively integrates cultural elements imbued with symbolic meanings, thereby averting superficial and rudimentary designs.
Abstract
The value of the creative cultural industry has increased substantially. Notwithstanding this auspicious outlook, traditional cultural design is frequently perceived as antiquated, and the incorporation of symbolic cultural meanings into contemporary textile design remains deficient. This study proposes a novel cultural design framework, integrating multi-directional approaches in contemporary textile design in fashion to revitalize traditional cultural elements. To establish a theoretical foundation, critical literature reviews were carried out on the cultural design process in general. The subsequent phase involved the formulation of cultural design criteria and the conceptual model for an enabling cultural design process. The framework's practicality and adaptability were then assessed through a series of experiments and in-depth interviews with designers. The proposed framework is significant for three primary reasons: 1) A thorough review of diverse design methodologies was conducted, presenting alternative perspectives to address the theoretical nexus between design and culture, 2) A novel cultural design framework was introduced to foster a culturally rooted design approach founded on creativity, and 3) Empirical investigation revealed that the proposed framework effectively integrates cultural elements imbued with symbolic meanings, thereby averting superficial and rudimentary designs.
참고문헌 (40)
- Au, J. S., "Creation of conceptual fashion design process model", Journal of fashion technology & textile engineering, 6(2), pp.1~8 (2018)[DOI]
- Black, C., "Conceptual model and strategies for creative thinking in apparel design", International Journal of Fashion Design, Technology and Education, 8(2), pp.131~138 (2015)[DOI]
- Bunnell, K., "Re: presenting making: The integration of new technology into ceramic designer-maker practice", Doctor, pp.1998
- Bye, E., "A direction for clothing and textile design research", Clothing and Textiles Research Journal, 28(3), pp.205~217 (2010)[DOI]
- Castro, S., "Reverse Design", pp.303~312 (2018), CRC Press
- Chai, C., "The relative effects of different dimensions of traditional cultural elements on customer product satisfaction", International Journal of Industrial Ergonomics, 48, pp.77~88 (2015)[DOI]
- Creswell, J. W., "Designing and conducting mixed methods research" (2017), Sage Publications
- Dieffenbacher, F., "Fashion thinking: Creative approaches to the design process" (2020), Bloomsbury Publishing
- Eckert, C., "Sources of inspiration : A language of design", Design Studies, 21(5), pp.523~538 (2000)[DOI]
- Ferraro, G., "The Cultural Dimension of Global Business (1-download)" (2015), Routledge
- Gray, C., "Visualising research: A guide for postgraduate students in art and design" (2004), Ashgate Publishing
- Greene, J. C., "Mixed methods in social inquiry (Vol. 9)" (2007), John Wiley & Sons
- Hallnäs, L., "Fashion design: World making-garment making", The Nordic Textile Journal, pp.9~22 (2005)
- Hilal, A. H., "Using NVivo for data analysis in qualitative research", International Interdisciplinary Journal of Education, 2(2), pp.181~186 (2013)[DOI]
- Hsu, C. H., "A study of framework and process development for cultural product design", Internationalization, Design and Global Development: 4th International Conference, pp.55~64 (2011)
- Hur, E., "Introducing Korean Popular Culture", pp.244~253 (2023), Routledge
- Jung, S., "The study on development of scarf design by applying the folk painting in Chosun Dynasty; Focused on flower bird painting", Journal of Fashion Design, 19(1), pp.129~146 (2019)[DOI]
- Karpova, E., "Putting the puzzle together: Apparel professionals' perspectives on creativity", International Journal of Fashion Design, Technology and Education, 4(2), pp.103~113 (2011)[DOI]
- Kersten, G. E., "The software for cultures and the cultures in software", ECIS 2000 Proceedings, pp.50~ (2000)
- Ko, E., "Cultural heritage fashion branding in Asia. In Tourism Sensemaking : Strategies to Give Meaning to Experience" (2011), Emerald Group Publishing Limited
- LaBat, K. L., "A three-stage design process applied to an industry-university textile product design project", Clothing and Textiles Research Journal, 17(1), pp.11~20 (1999)[DOI]
- Lee, H. S., "A study on Korean vernacular fashion design through Dieffenbacher's the design cycle", Journal of The Korean Society of Fashion Design, 16(1), pp.17~23 (2016)[DOI]
- Leong, B. D., "Culture-based knowledge towards new design thinking and practice : A dialogue", Design Issues, 19(3), pp.48~58 (2003)[DOI]
- Lubart, T. I., "Models of the creative process : Past, present and future", Creativity Research Journal, 13(3–4), pp.295~308 (2001)[DOI]
- Lim, K. H., "A study on culture content using cultural archetype", Korean Design Forum, 19, pp.169~177 (2008)
- Lin, R. T., "Transforming Taiwan aboriginal cultural features into modern product design : A case study of a cross-cultural product design model", International Journal of Design, 1(2), pp.45~53 (2007)
- Luo, S. J., "Role of cultural inspiration with different types in cultural product design activities", International Journal of Technology and Design Education, 27(3), pp.499~515 (2017)[DOI]
- Stewart-Allen, A. L, "Heritage branding helps in global markets", Marketing News, 36(16), pp.6~ (2002)
- Moalosi, R., "Culture-oriented product design", International Journal of Technology and Design Education, 20(2), pp.175~190 (2010)[DOI]
- Na, Y., "A study on the network effectiveness of sustainable K-fashion and beauty creator media(social media)in the digital era", Sustainability, 13(16), pp.8758~ (2021)[DOI]
- Norman, D. A., "Emotion design: Why we love (or hate) everyday things" (2004), Basic Books
- Park, J., "A study to reveal the effects of using symbolic meaning of Minhwa with people having a variety of cultural backgrounds", Journal of Fashion Business, 25(6), pp.131~145 (2021)[DOI]
- Park, J., "Evolution of fashion as play in the digital space", Fashion Practice, 15(2), pp.256~278 (2023)[DOI]
- Parsons, J. L., "Digital apparel design process : Placing a new technology into a framework for the creative design process", Clothing and Textiles Research Journal, 22(1-2), pp.88~98 (2004)[DOI]
- Petersen, T. B., "Fashion thinking : Introduction", Fashion Practice, 8(1), pp.1~9 (2016)[DOI]
- Saha, A., "Technological innovation and Western values", Technology in Society, 20(4), pp.499~520 (1998)[DOI]
- Schein, E. H., "Coming to a new awareness of organizational culture", Sloan Management Review, 25(2), pp.3~16 (1984)
- Sparks, D., "Explorations in pleated fabric garment structures", Clothing and Textiles Research Journal, 22(1-2), pp.38~43 (2004)[DOI]
- Wang, X., "Study on the design of Cantonese cultural and creative products using analytic hierarchy process", Mathematical Problems in Engineering, pp.8874787~ (2020)[DOI]
- Zhu, Y., "Comparing the effects of different types of cultural inspiration on design creativity", The Design Journal, 23(6), pp.919~930 (2020)[DOI]
