타이포그래피 표현의 몰형식성에서 포스트모던적 숭고의 체험

Abstract

In typography expressions, the departure from traditional norms and functionalist rules is diverse and widespread. The researchers define this situation as 'formlessness of typography' and use it as the central concept of this study. The argument is based on 'formlessness' which is the key mechanism of Lyotard's post-modern sublime and sublime experience. This study has noted that the typography role is expanding from a functional category of information transfer to a way of aesthetic experience expansion, and that the formlessness of typography expression can be an opportunity for the audience to experience sublime. As a result of the study, the occasion of the experience of the sublime in the mental form expression of typography is as follows. First, there is a conflict between the disagreement and the opposition due to the crack of the traditional form and the perception method. Second, the disagreement between the expression and the contents by the secondary-It is impossibility of bringing. Third, there are differences and heterogeneity of expressions resulting from intrinsic creation of style by subject rediscovery in typography. Fourth, the category and boundary of expression are event events outside perception that are experienced by erosion. In conclusion, the formlessness of typography expression is not bound to any existing rules and norms, but manifests itself in a wide variety of patterns. It triggers emotions characterized by tension and conflict, dynamic movement of frustration and overcoming in the audience, It enables the experience of sublime.