초현실주의 표현 기법을 활용한 현대적 치파오 디자인 개발
Development of Qipao design applied with surrealistic expression techniques
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
The purpose of this study was to develop contemporary Qipao design that emphasized creative feminine beauty with a unique sense beyond the concept of traditional Qipao design. This would be achieved using the expressive technique of human liberation from the oppression of the unconscious world a supported by surrealism. Using existing literature and previous research, surrealist expression technique used in fashion were investigated and analyzed. The results are as follows. First, the possibility of new and original design beyond existing surrealistic Qipao design was demonstrated through various realistic surrealism expression techniques, such as dépaysement, objet, and trompe-l’œil techniques. This occurred by exploring various unconscious world out of fixed ideas and through expression techniques of surrealistic fashion such as imagery of body parts, metaphorical expression of objects, and position deformation and illusion. Second, Qipao design that combined objet and attempted ordinary escape by combining isolated body parts (such as hands, eyes, and lips) within the composition combine with surrealistic expression enabled various and fun surrealistic fashion designs to emerge. Third, the metaphor of surreal lips and eyes (mainly used in works of this study) presented a unique and extraordinary combination of images in accessories and partial design that used the dépaysement technique. Thus, it was possible to expand surrealistic expression by including LED wire.
Abstract
The purpose of this study was to develop contemporary Qipao design that emphasized creative feminine beauty with a unique sense beyond the concept of traditional Qipao design. This would be achieved using the expressive technique of human liberation from the oppression of the unconscious world a supported by surrealism. Using existing literature and previous research, surrealist expression technique used in fashion were investigated and analyzed. The results are as follows. First, the possibility of new and original design beyond existing surrealistic Qipao design was demonstrated through various realistic surrealism expression techniques, such as dépaysement, objet, and trompe-l’œil techniques. This occurred by exploring various unconscious world out of fixed ideas and through expression techniques of surrealistic fashion such as imagery of body parts, metaphorical expression of objects, and position deformation and illusion. Second, Qipao design that combined objet and attempted ordinary escape by combining isolated body parts (such as hands, eyes, and lips) within the composition combine with surrealistic expression enabled various and fun surrealistic fashion designs to emerge. Third, the metaphor of surreal lips and eyes (mainly used in works of this study) presented a unique and extraordinary combination of images in accessories and partial design that used the dépaysement technique. Thus, it was possible to expand surrealistic expression by including LED wire.
참고문헌 (51)
- Bang, S. R., "A study of surrealistic expression described in contemporary fashion since 1980s", master, pp.2008
- Bao, M. X., "Shanghai style cheongsam in the first half of the 20th century", Art & Design, 12(5), pp.11~12 (2000)
- Bian, X. Y., "Origin of Qipao fashion in Early Republic Period", Journal of DongHua University, 20(4), pp.21~26 (2003)
- Bin, C., "Global fashion designs analysis" (2008), Donghua University Press
- Breton, A., "Manifestes du surréalisme" (2012), Mimesis
- Chang, E. S., "The study of clothes design applied by the works of Miro the artist of surrealism", Journal of The Korean Society of Fashion Design, 2(1), pp.45~60 (2002)
- "Chinese dress"[URL]
- 최은화, "데페이즈망기법을 응용한 초현실주의 헤어 아트에 관한 연구 : 본인 작품 제작을 중심으로", 석사, 뷰티디자인전공, pp.2013
- "Ceci n’est pas une pipe" (2018)[URL]
- "National style, talk about Qing Dynasty cheongsam" (2019)[URL]
- Gablik, S., "Magritte" (2001), Construction
- 허승연, "패션윈도우 디스플레이에 나타난 데페이즈망의 표현특성 및 디자인 개발", 박사, 의류학과, pp.2014
- Hong, N. Y., "Traditional costumes of Asia" (2004), Kyomunsa
- 홍수진, "초현실주의 표현기법을 활용한 코트 디자인 개발", 패션 비즈니스, 22(1), pp.20~40 (2018), 한국패션비즈니스학회[DOI]
- Jang, M. H., "Costume aesthetics" (1975), Scholarship Society
- Jiang, N., "Signs of China․Qipao" (2008), Contemporary China Publishing House
- "1930’s cheongsam, civilized new clothes and improved cheongsam" (2014)[URL]
- 조사라, "초현실주의 자동기술법의 작동원리 연구", 유럽문화예술학논집, 9(1), pp.91~105 (2018), 유럽문화예술학회[DOI]
- Jung, J. S., "A study on Chinese style in modern fashion design : Focusing on the application of cheongsam in overseas collections since 2000", master, pp.2005
- Kim, M. G., "A study on eastern and western color focusing the five colors in modern fashion", master, pp.2003
- Kim, S. A., "Surrealistic technique expressed in 21C fashion styling", master, pp.2009
- Kim, S. Y., "Study on the analysis of surrealism imaginary image", master, pp.2010
- Kwon, T. S., "A study on the modern dress &its ornament applied by Chinese folk dress & its ornament", master, pp.1994
- Kwon, Y. O., "A fashion styling study based on surrealist dépaysement", master, pp.2009
- 이진윤, "초현실주의를 활용한 드레스 디자인 연구", 한국패션디자인학회지, 15(2), pp.21~40 (2015), 한국패션디자인학회
- 이영민, "빅터 & 롤프 의상에 나타난 초현실주의 특성", 복식문화연구, 15(2), pp.352~367 (2007), 복식문화학회[DOI]
- Lym, Y. J., "Traditional pattern collection" (1986), Mijinsa
- "Qing Dynasty cheongsam, the history and evolution of Manchu cheongsam" (2020)[URL]
- Martin, R., "Fashion and surrealism" (1988), Thames and Hudson Ltd
- Nozaki, S., "중국길상도안: 상서로운 도안과 문양의 상징적 의미와 응용" (1992), Yekyung Publishing Co
- Park, C. S., "중국소수민족복식" (2002), Publishing Company Minsokwon
- 박리라, "초현실주의 데페이즈망 기법을 활용한 융합아트메이크업 연구 - 작품제작을 중심으로 -", 한국융합학회논문지, 7(3), pp.35~44 (2016), 한국융합학회[DOI]
- Seong, H. S., "A study on orientalism in contemporary fashion: Focusing on Chinese patterns in fashion in the 1990s", master, pp.2001
- "Viktor & Rolf Spring/Summer 2016 Ready To Wear"[URL]
- "Viktor & Rolf F/W 2016 Ready To Wear"[URL]
- "Moschino Spring/Summer 2015 Ready To Wear"[URL]
- "Moschino Spring/Summer 2018 Ready To Wea"[URL]
- Wang, C. M., "Chinese and English clothing decoration vocabulary" (2002), Textile University Press
- Wang, S., "A study on the Chinese style design in contemporary fashion collection", master, pp.2017
- Wang, S., "World fashion history" (2002), China Youth Publishing House
- "The false mirror" (1928)[URL]
- "Golconda" (1953)[URL]
- "The persistence of memory"[URL]
- "Face of mae west which may be used as an apartment"[URL]
- "Harlequin’s carnival" (2013)[URL]
- "Premonition of civil war" (2016)[URL]
- "The hunter" (2017)[URL]
- Yoo, S., "“Qipao” style aesthetics in contemporary fashion design", master, pp.2010
- 윤경희, "초현실주의 작품을 통한 패션디자인 연구", 한국디자인포럼, (48), pp.367~376 (2015), 한국디자인트렌드학회[DOI]
- 장녕, "중국 현대회화에 표현된 물고기와 가시나무의 상징연구- 중국 초현실주의 작가의 작품 분석을 중심으로 -", 커뮤니케이션디자인학연구, 42, pp.133~143 (2013), (사)한국커뮤니케이션디자인협회 커뮤니케이션디자인학회
- 주가이, "현대 여성복에 나타난 중국풍 특성 - 2005년∼2014년 파리 컬렉션을 중심으로 -", 한국의상디자인학회지, 18(3), pp.21~36 (2016), 한국의상디자인학회
