초현실주의 특징이 반영된 한국 복식 디자인 연구
Research on Characteristics of Surrealism and Korean Costume Design Reflecting Surrealism
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Surrealism is adopted in design as a way to create unique and distinct design deviated from ordinary things, and it serves as a means to quench contemporary persons’ thirst for novelty and individuality. Derived from surrealism, there emerged costume reflecting characteristics of surrealism, and progressive design costumes applying surrealism styles have continuously come to surfaces up to today. Such costumes resulted in diversification of expression deviated from traditional costume with formality, and they lay out unprecedented experimental and progressive design based on designer’s creativeness and imagination. Surrealism is well suited to articulating individuality in that it is differentiated from traditional artistic formality and offers to broaden the possibilities of free expression and creation, this research is focused on designing and producing Korean costume reflecting characteristics of surrealism. Among Korean costumes, “Po (a generic term referring to an outer robe)” was selected given that it involves many compositions and its long length allows various designs and styles. This also reflects on concept and developments of surrealism, and also includes analysis on the characteristics of surrealism to design and produce Korean costume reflecting it. The purpose of this research is to blend traditional Korean costume with Western artistic movement surrealism to offer broadened views on Korean costume design. In succession to Korean costume, this offers experimental and various designs in line with changing trends, and proposes a new concept meeting contemporary persons’ emotional needs and carves out Korean costume market, thereby setting the direction for Korean costume design and serving as a reference for creative research on Korean costume design down the road. These are where the values of this research lie in. Hopefully, this research could also lay a foundation for another attempt towards novel design work by mixing Korean costume with Western art trend other than surrealism which would lead to Korean costume design in line with changing trends and befitting contemporary persons’ individuality, thereby further lifting up Korean costume.
Abstract
Surrealism is adopted in design as a way to create unique and distinct design deviated from ordinary things, and it serves as a means to quench contemporary persons’ thirst for novelty and individuality. Derived from surrealism, there emerged costume reflecting characteristics of surrealism, and progressive design costumes applying surrealism styles have continuously come to surfaces up to today. Such costumes resulted in diversification of expression deviated from traditional costume with formality, and they lay out unprecedented experimental and progressive design based on designer’s creativeness and imagination. Surrealism is well suited to articulating individuality in that it is differentiated from traditional artistic formality and offers to broaden the possibilities of free expression and creation, this research is focused on designing and producing Korean costume reflecting characteristics of surrealism. Among Korean costumes, “Po (a generic term referring to an outer robe)” was selected given that it involves many compositions and its long length allows various designs and styles. This also reflects on concept and developments of surrealism, and also includes analysis on the characteristics of surrealism to design and produce Korean costume reflecting it. The purpose of this research is to blend traditional Korean costume with Western artistic movement surrealism to offer broadened views on Korean costume design. In succession to Korean costume, this offers experimental and various designs in line with changing trends, and proposes a new concept meeting contemporary persons’ emotional needs and carves out Korean costume market, thereby setting the direction for Korean costume design and serving as a reference for creative research on Korean costume design down the road. These are where the values of this research lie in. Hopefully, this research could also lay a foundation for another attempt towards novel design work by mixing Korean costume with Western art trend other than surrealism which would lead to Korean costume design in line with changing trends and befitting contemporary persons’ individuality, thereby further lifting up Korean costume.
참고문헌 (42)
- 윤경희, "초현실주의 작품을 통한 패션디자인 연구", 한국디자인포럼, (48), pp.367~376 (2015), 한국디자인트렌드학회
- 한정원, "하이메 아욘과 마르셀 반더스의 디자인에서 나타나는 초현실주의적 특성 비교 연구", 한국실내디자인학회 논문집, 20(2), pp.55~63 (2011), 한국실내디자인학회
- 김윤, "초현실주의 패션디자인 개발과 디지털 미디어 융합 전시 연구", 한국패션디자인학회지, 13(3), pp.57~74 (2013), 한국패션디자인학회
- 박옥미, "공연예술 의상에 표현된 초현실주의 이미지 연구 －태양의 서커스 ‘OVO’를 중심으로－", 한국디자인문화학회지, 16(4), pp.272~282 (2010), 한국디자인문화학회
- 은숙, "초현실주의 오브제를 모티프로 한 다목적 패션 디자인에 관한 연구", 복식문화연구, 15(1), pp.68~80 (2007), 복식문화학회
- 이진윤, "초현실주의를 활용한 드레스 디자인 연구", 한국패션디자인학회지, 15(2), pp.21~40 (2015), 한국패션디자인학회
- 장은숙, "Joan Miro의 초현실주의 회화 작품을 응용한 복식 디자인 연구", 한국패션디자인학회지, 2(1), pp.45~60 (2002)
- 안연희, "현대미술사전", pp.396~ (2011), 미진사
- 이승우, "초현실주의의 관점에서 바라본 뉴미디어 아트의 확장 분석 연구", 디자인지식저널, (29), pp.289~299 (2014), 한국디자인지식학회
- 이광래, "미술 철학사2", pp.588~ (2016), 미메시스
- 로라 톰슨, "초현실주의", pp.6~ (2014), 시공사
- 강형구, "가구디자인에 나타난 초현실주의적 표현 연구", 한국가구학회지, 22(1), pp.34~41 (2011), 한국가구학회
- 해럴드 오즈본, "미술사전", pp.872~ (2002), 시공사
- 김정아, "패션 플래그쉽 스토어 실내공간에 나타난 초현실주의적 표현특성에 관한 연구", 기초조형학연구, 14(3), pp.75~86 (2013), 한국기초조형학회
- 임영방, "현대미술의 이해", pp.174~ (2013), 서울대학교출판문화원
- 로즈마리 램버트, "20세기의 미술", pp.46~ (1991), 예경
- 슈 게일, "다다와 초현실주의", pp.216~ (2001), 한길아트
- 임성택, "디지털 시대 초현실주의 사진의 환상과 미래 - 에릭 요한슨의 작품을 중심으로 -", 커뮤니케이션디자인학연구, 35, pp.110~119 (2011), (사)한국커뮤니케이션디자인협회 커뮤니케이션디자인학회
- 구레사와 다케미, "현대미술 용어 100", pp.145~ (2012), 안그리픽스
- 이재영, "현대 패션에 나타난 페티시 슈즈디자인의 특성 -초현실주의 표현기법을 중심으로-", 기초조형학연구, 16(3), pp.451~463 (2015), 한국기초조형학회
- 김수경, "패션일러스트레이션에 나타난 초현실주의 표현에 관한 연구", 한국의상디자인학회지, 6(3), pp.370~385 (2004), 한국의상디자인학회
- 김성은, "디지털 타이포그라피의 초현실주의 표현 연구", 정보디자인학연구, 18(2), pp.55~65 (2015), 한국정보디자인학회
- 로라 톰슨, "초현실주의", pp.64~ (2013), 시공아트
- 메슈게일, "다다와 초현실주의", pp.240~ (2001), 한길아트
- 카트린 클링죄어 르루아, "초현실주의", pp.23~ (2008), 마로니에북스
- 요하임나겔, "초현실주의 : 어떻게 이해할까?", pp.30~ (2008), 미술문화
- 박리라, "초현실주의 데페이즈망 기법을 활용한 융합아트메이크업 연구 - 작품제작을 중심으로 -", 한국융합학회논문지, 7(3), pp.35~44 (2016), 한국융합학회[DOI]
- 강화영, "M.C. 에셔의 데페이즈망 요소에 의한 테셀레이션 패턴 연구", 박사, 섬유조형디자인, pp.2008
- 김수연, "트롱프뢰유 기법을 활용한 디지털 텍스타일 디자인 개발연구 - 2009년~2016년 패션 적용사례를 중심으로 -", 기초조형학연구, 17(3), pp.57~68 (2016), 한국기초조형학회
- 노현지, "데페이즈망 기법을 이용한 패션광고의 알레고리 연구", 디자인지식저널, (31), pp.195~205 (2014), 한국디자인지식학회
- 허승연, "패션윈도우 디스플레이에 나타난 데페이즈망의 표현특성 및 디자인 개발", 박사, 의류학과, pp.2014
- Gilles Neret, "Salvador Dali 1904-1989", pp.40~ (2004), Taschen
- Francois Baudot, "Fashion & Surrealism", pp.69~ (2001), Assouline
- Blum, "Shocking! The Art and Fashion of Elsa Schiaparelli", pp.18~ (2003), Philadelphia Museum of Art
- "Victor&Rolf"[URL]
- "Vivienne Westwood"[URL]
- "Iris Van Herpen"[URL]
- "Iris Van Herpen"[URL]
- "Alexander Mcqueen"[URL]
- "Balenciaga"[URL]
- "Maison Margiela"[URL]
- "Moschino"[URL]