본문 바로가기
KERD
논문KCI 등재

中國 中世 觀音信仰의 민간사회 확산과정 - 魏晉南北朝ㆍ隋唐 시기 觀音說話와 密敎의식의 보급을 중심으로 -

The Spread of the Guanyin Cults over the Local Communities during the Medieval Period of Chinese History

0

조회

0

다운로드

8

인용

0

참고문헌

키워드

주제분류역사학

초록

This article explored the popularization process of the Guanyin cults during the Medieval period of Chinese history. The established researches on the Guanyin cult mostly treated the cult as beliefs of a sub-deity of the Buddhist Pantheon. Although the Guanyin was a Buddhist Bodhisattva who redeemed people in distress, the deity had been completely turned into a popular deity whom people usually asked for secular helps of the earthly lives during the early medieval period of Chinese history. In particular, this research focused on the two mediums for the transformation of the Guanyin cult. This study carefully considers the two significant means of dissemination of the Guanyin cults, “Relevant Legends of Guanyin’s Responsive Manifestations (觀音應驗說話)” and “Great Compassion Mantra (大悲咒)” of the “Dhāraṇī of the Bodhisattva With a Thousand Hands and Eyes (千手千眼陀羅尼)” in the historical context. When Kumārajīva (鳩摩羅什) translated “the The Universal Door of Boddhisattva Guanshiyin (觀世音菩薩普門品)” of the “Lotus Sutra (法華經)” into Chinese during the Six Dynasties period, the relevant legends of Guanyin was passed from person to person through the oral tradition, and it contributed to the creation of Guanyin’s image as a tutelary deity in the local community. Since the Tang Dynasty period, the esoteric Buddhism (密敎) had exerted a dominant influence on the Chinese Buddhism and systemized the ceremonies and rituals of the Guanyin worships. As a result, the esoteric Buddhist incantation ceremonies like the recitation of Great Compassion Mantra began to be introduced to the Guanyin cults. Due to these new ways, the popular beliefs of Guanyin who would save the people from distress could spread throughout the whole China during the Medieval period of Chinese history. Consequently, this research presents a new approach to understand the nation-wide propagation process of the Guanyin cults.

Abstract

This article explored the popularization process of the Guanyin cults during the Medieval period of Chinese history. The established researches on the Guanyin cult mostly treated the cult as beliefs of a sub-deity of the Buddhist Pantheon. Although the Guanyin was a Buddhist Bodhisattva who redeemed people in distress, the deity had been completely turned into a popular deity whom people usually asked for secular helps of the earthly lives during the early medieval period of Chinese history. In particular, this research focused on the two mediums for the transformation of the Guanyin cult. This study carefully considers the two significant means of dissemination of the Guanyin cults, “Relevant Legends of Guanyin’s Responsive Manifestations (觀音應驗說話)” and “Great Compassion Mantra (大悲咒)” of the “Dhāraṇī of the Bodhisattva With a Thousand Hands and Eyes (千手千眼陀羅尼)” in the historical context. When Kumārajīva (鳩摩羅什) translated “the The Universal Door of Boddhisattva Guanshiyin (觀世音菩薩普門品)” of the “Lotus Sutra (法華經)” into Chinese during the Six Dynasties period, the relevant legends of Guanyin was passed from person to person through the oral tradition, and it contributed to the creation of Guanyin’s image as a tutelary deity in the local community. Since the Tang Dynasty period, the esoteric Buddhism (密敎) had exerted a dominant influence on the Chinese Buddhism and systemized the ceremonies and rituals of the Guanyin worships. As a result, the esoteric Buddhist incantation ceremonies like the recitation of Great Compassion Mantra began to be introduced to the Guanyin cults. Due to these new ways, the popular beliefs of Guanyin who would save the people from distress could spread throughout the whole China during the Medieval period of Chinese history. Consequently, this research presents a new approach to understand the nation-wide propagation process of the Guanyin cults.

참고문헌 (54)

  1. "觀世音應驗記", ~
  2. "妙法蓮華經", 觀世音菩薩普門品, ~
  3. "妙法蓮華經", 方便品, ~
  4. "宋高僧傳", ~
  5. "夷堅志", ~
  6. "太平廣記", ~
  7. 강희정, "중국 관음보살상 연구 : 남북조시대대에서 당까지" (2004), 일지사
  8. 강희정, "관음과 미륵의 도상학 : 한국과 중국의 보살상을 중심으로" (2006), 학연문화사
  9. 金永德, "密敎의 中國的 受容의 一例-漢譯三十七尊經軌를 중심으로-", 佛敎學報, 38 (2001)
  10. 김용덕, "觀音菩薩信仰의 說話化樣相과 意味硏究", 한국언어문화, (30), pp.21~48 (2006), 한국언어문화학회
  11. 김장환, "太平廣記" (2001), 학고방
  12. 김진숙, "고대 중국 불상 조상기와 정토신앙", 불교연구, (43), pp.137~173 (2015), 한국불교연구원
  13. 김헌선, "불교 관음설화의 여성성과 중세적 성격 연구", 구비문학연구, 9 (1999)
  14. 戴文鋒, "‘媽祖’名稱由來試析", 庶民文化研究, (3) (2011)
  15. 박상란, "관음설화에 나타난 여성상 : 성불유도형(成佛誘導型)을 중심으로", 佛敎語文論集, 8 (2003)
  16. 芳岡良音, "觀世音菩薩の起原", 印度学仏教学研究, 12(1) (1964), 日本印度学仏教学会
  17. 방병선, "명·청대 덕화요 송자관음상 고찰", 강좌미술사, (37), pp.283~310 (2011), 한국불교미술사학회
  18. 변귀남, "觀世音應驗記 小考", 中國語文學, 38 (2001)
  19. 本多道隆, "‘大悲呪’攷-中国近世における受容の諸相-", 臨濟宗妙心寺派教 學研究紀要, (6) (2008)
  20. 本田義英, "觀音の古名仁就て", 龍谷大學論叢, (296) (1931), 龍谷大學論叢社
  21. 徐一智, "從六朝三本觀音應驗記看觀音信仰入箏的調通情況", 成大歷史學報, 43 (2012), 成功大學歷史學系
  22. 釋大參, "天台宗對觀音靈驗記的詮釋―以智者大師的 觀音義疏 爲根據", 成大 宗教與文化學報, 7 (2006), 國立成功大學文學院
  23. 石松日奈子, "北魏仏教造像史の研究" (2005), 株式会社ブリュッケ
  24. 蕭登福, "西王母信仰源起及其在歷朝歷代中的神格發展", 宗教哲學, 51 (2010)
  25. 정재균, "동아시아 古中世 石刻資料 解題 및 譯註 Ⅱ", 중국사연구, (97), pp.371~400 (2015), 중국사학회
  26. 松本文三郎, "観音信仰" (1982), 雄山閣
  27. 신광희, "중국 河北省 獨樂寺 관음각의 십육나한벽화", 불교미술사학, 18, pp.131~159 (2014), 불교미술사학회
  28. 顏娟英, "唐代十一面觀音圖像與信仰", 佛學研究中心學報, (11) (2006)
  29. 양선혜, "《观世音应验记》考", 중국문학, 66, pp.63~86 (2011), 한국중국어문학회
  30. 요리토미 모토히로, "밀교의 역사와 문화" (1990), 민족사
  31. 이범교, "밀교와 한국의 문화유적" (2008), 민족사
  32. 이종섭, "한국불교에서 관세음신앙 성립의 특수성 고찰", 불교연구, (30), pp.190~213 (2009), 한국불교연구원
  33. 정각, "천수경 연구-현행 천수경의 성립 및 구조에 대한 분석-" (2011), 운주사
  34. 조영록, "香山 妙善公主와 登州 善妙娘子 ― 觀音ㆍ龍神 설화와 한중 해양불교 교류 ―", 동양사학연구, (115), pp.177~205 (2011), 동양사학회
  35. 佐藤智水, "北朝造像銘考", 史學雜誌, 86(10) (1977)
  36. 趙顯卨, "동아시아 관음보살의 여신적 성격에 관한 시론", 동아시아고대학, 7, pp.3~78 (2003), 동아시아고대학회
  37. 차차석, "관음신앙의 중국적 變容과 그 문화적 특징", 정토학연구(淨土學硏究), (18), pp.133~165 (2012), 한국정토학회
  38. 于君方(Chün-fang Yü), "偽經 與觀⾳信仰", 中華佛學學報, (8) (1995)
  39. 최정선, "『삼국유사』효선에 나타난 불교와 이상적인 여성상", 불교학연구, (10), pp.149~171 (2005), 불교학연구회
  40. 최정선, "관음설화의 여성화 전략과 형상화의 의미", 인간연구, (10), pp.117~147 (2006), 인간학연구소
  41. 八木春生, "中國成都地方の佛敎造像について-520-540年代の作例を 中心と して", 佛敎藝術, 260 (2002)
  42. 何亞宜, "中國中古佛教造像活動", 碩士, 歷史學系, pp.2009
  43. 황금순, "中國과 韓國의 白衣觀音에 대한 考察", 불교미술사학, 18, pp.97~129 (2014), 불교미술사학회
  44. 黃東陽, "六朝觀世音信仰之原理及其特徵―以三種 觀世音應驗記 為線索", 新世紀宗教研究, 3(4) (2005), 財團法人世界宗教博物館發 展基金會附設出版社
  45. 後藤大用, "觀世音菩薩の研究" (1958), 山喜房佛書林
  46. 侯旭東, "五ㆍ六世紀北方民衆佛敎信仰-以造像記爲中心的考察" (1998), 中國 社會科學出版社
  47. Davis, Edward L., "Society and the Supernatural in Song China", pp.115~152 (2001), University of Hawaii Press
  48. Dudbridge, Glen, "The Legend of Miaoshan" (1978), Oxford University Press
  49. Howard, Angela Falco, "Chinese Sculpture" (2006), Yale University Press
  50. Katz, Paul, "Book Review (Society and the Supernatural in Song China by Edward L. Davis)", Harvard Journal of Asiatic Studies, 62(2), pp.449~462 (2002)
  51. The Cult of the Bodhisattva Guanyin in Early China and Korea, "Mair, Victor H.", Department of East Asian Languages and Civilizations University of Pennsylvania, ~ (2008)
  52. Wong, Dorothy C, "Chinese Steles : Pre-Buddhist and Buddhist Use of a Symbolic Form" (2004), University of Hawaii Press
  53. Wong, Dorothy C, "Guanyin Images in Medieval China, Fifth to Eighth Centuries", Proceedings of the Fifth Chung-Hwa International Conference on Buddhism (2007), Dharma Drum Publishing Corporation
  54. Yü, Chün-fang, "The Chinese Transformation of Avalokiteśvara" (2001), Columbia University Press

관련 논문AI추천

이 간행물의 다른 논문 (7건)