고구려 벽화고분의 類型
Study on types of Goguryeo mural tombs
0
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
This study intends to clarify the types of Goguryeo mural tombs, which have been excavated up to date, by form of their structures and con-tents. The form of Goguryeo mural tombs can be categorized into “Dasil- boon (a burial site which is consisted of more than three rooms; I),”“Yi-sil-boon (a burial site which is consisted of two rooms:Ⅱ),” “Dan-sil-boon (a burial site consisted of one room:Ⅲ)”and “Teuksoo- boon (a burial site which has a particular structure or shape, thus cannot be defined as being consisted of rooms:Ⅳ)”in terms of struc-ture. And the form of Goguryeo mural tombs can be categorized into the“ characters and customs (Ⅰ),”“characters and customs and decorative patterns (Ⅱ),”“characters and customs and Sa-shin-do (Ⅲ),” “decorative patterns(Ⅳ),”“decorative patterns and Sa-shin-do (Ⅴ),” “Sa-shin-do (a painting depicting four gods who control four directions Ⅵ)”in terms of the contents of mural painting. By these terms, the structure and contents, we can also categorize them into several types:the typeⅠ-Ⅰ which is a combined form of Da-sil-boon (Ⅰ) and characters and customs (Ⅰ), the typeⅠ-Ⅱ which is a combined form of Da-sil-boon (Ⅰ) and characters and customs and decorative patterns (Ⅱ), the typeⅠ-Ⅲ a combined form of Da-sil-boon (Ⅰ) and characters and customs and Sa-shin-do (Ⅲ), the type Ⅱ-Ⅰ which is a combined form of Yi-sil-boon (Ⅱ) and characters and customs (Ⅰ), the type Ⅱ-Ⅱ which is a combined form of Yi-sil-boon (Ⅱ) and characters and customs and decorative patterns (Ⅱ), the type Ⅱ-Ⅲ which is a combined form of Yi-sil-boon (Ⅱ) and characters and customs and Sa-shin-do (Ⅲ), the type Ⅲ-Ⅰ which is a combined form of Dan-sil-boon (Ⅲ) and characters and customs (Ⅰ), the type Ⅲ-Ⅲ which is a combined form of Dan-sil-boon (Ⅲ) and characters and customs and Sa-shin-do (Ⅲ), the type Ⅲ-Ⅳ which is a combined form of Dan-sil-boon (Ⅲ) and decorative patterns (Ⅳ), the type Ⅲ-Ⅴ which is a combined form of Dan-sil-boon (Ⅲ) and decorative patterns and Sa-shin-do (Ⅴ), the type Ⅲ-Ⅵ which is a combined form of Dan-sil-boon (Ⅲ) and d Sa-shin-do (Ⅴ). And a particular type which is a combined form of Teuk-soo-boon and characters and customs (Ⅳ-Ⅰ), Teuk-soo-boon and characters and customs and decorative patterns (Ⅳ-Ⅱ). Meanwhile, seeing the structure of the burial chamber of Seoksil bongtoe-bun (A kind of a tomb that is portioned with stone and the rest part is piled-up by soil) we can find that seven Jeok-seok-chong (stone-filed tomb) are the type Ⅲ-A, Ⅲ-B, and Ⅱ-B. The Sanseong- ha No.725, San-seong-ha No.798, Woo-san-ha No.3319, San-seong-ha Jeol-cheon-jeong-myo are the Ⅲ-A types. The Woosan- ha No.1041, San-seong-ha No.1405 are the Ⅲ-B types. The San-seong-ha No.1408 is the Ⅱ-B type. Among these, the Sanseong- ha Jeol-cheon-jeong-myo, Woo-san-ha No.1041 and Woosan- ha No.3319 are identified having the characters and customs (Ⅰ) as their mural painting. This fact led us to suppose that other three tombs may have the characters and customs (Ⅰ) as their mural paint- ing. As a result, we can conclude that these stone-filed tombs can exist in both the type Ⅱ-Ⅰ and the type Ⅲ-Ⅲ.
Abstract
This study intends to clarify the types of Goguryeo mural tombs, which have been excavated up to date, by form of their structures and con-tents. The form of Goguryeo mural tombs can be categorized into “Dasil- boon (a burial site which is consisted of more than three rooms; I),”“Yi-sil-boon (a burial site which is consisted of two rooms:Ⅱ),” “Dan-sil-boon (a burial site consisted of one room:Ⅲ)”and “Teuksoo- boon (a burial site which has a particular structure or shape, thus cannot be defined as being consisted of rooms:Ⅳ)”in terms of struc-ture. And the form of Goguryeo mural tombs can be categorized into the“ characters and customs (Ⅰ),”“characters and customs and decorative patterns (Ⅱ),”“characters and customs and Sa-shin-do (Ⅲ),” “decorative patterns(Ⅳ),”“decorative patterns and Sa-shin-do (Ⅴ),” “Sa-shin-do (a painting depicting four gods who control four directions Ⅵ)”in terms of the contents of mural painting. By these terms, the structure and contents, we can also categorize them into several types:the typeⅠ-Ⅰ which is a combined form of Da-sil-boon (Ⅰ) and characters and customs (Ⅰ), the typeⅠ-Ⅱ which is a combined form of Da-sil-boon (Ⅰ) and characters and customs and decorative patterns (Ⅱ), the typeⅠ-Ⅲ a combined form of Da-sil-boon (Ⅰ) and characters and customs and Sa-shin-do (Ⅲ), the type Ⅱ-Ⅰ which is a combined form of Yi-sil-boon (Ⅱ) and characters and customs (Ⅰ), the type Ⅱ-Ⅱ which is a combined form of Yi-sil-boon (Ⅱ) and characters and customs and decorative patterns (Ⅱ), the type Ⅱ-Ⅲ which is a combined form of Yi-sil-boon (Ⅱ) and characters and customs and Sa-shin-do (Ⅲ), the type Ⅲ-Ⅰ which is a combined form of Dan-sil-boon (Ⅲ) and characters and customs (Ⅰ), the type Ⅲ-Ⅲ which is a combined form of Dan-sil-boon (Ⅲ) and characters and customs and Sa-shin-do (Ⅲ), the type Ⅲ-Ⅳ which is a combined form of Dan-sil-boon (Ⅲ) and decorative patterns (Ⅳ), the type Ⅲ-Ⅴ which is a combined form of Dan-sil-boon (Ⅲ) and decorative patterns and Sa-shin-do (Ⅴ), the type Ⅲ-Ⅵ which is a combined form of Dan-sil-boon (Ⅲ) and d Sa-shin-do (Ⅴ). And a particular type which is a combined form of Teuk-soo-boon and characters and customs (Ⅳ-Ⅰ), Teuk-soo-boon and characters and customs and decorative patterns (Ⅳ-Ⅱ). Meanwhile, seeing the structure of the burial chamber of Seoksil bongtoe-bun (A kind of a tomb that is portioned with stone and the rest part is piled-up by soil) we can find that seven Jeok-seok-chong (stone-filed tomb) are the type Ⅲ-A, Ⅲ-B, and Ⅱ-B. The Sanseong- ha No.725, San-seong-ha No.798, Woo-san-ha No.3319, San-seong-ha Jeol-cheon-jeong-myo are the Ⅲ-A types. The Woosan- ha No.1041, San-seong-ha No.1405 are the Ⅲ-B types. The San-seong-ha No.1408 is the Ⅱ-B type. Among these, the Sanseong- ha Jeol-cheon-jeong-myo, Woo-san-ha No.1041 and Woosan- ha No.3319 are identified having the characters and customs (Ⅰ) as their mural painting. This fact led us to suppose that other three tombs may have the characters and customs (Ⅰ) as their mural paint- ing. As a result, we can conclude that these stone-filed tombs can exist in both the type Ⅱ-Ⅰ and the type Ⅲ-Ⅲ.
참고문헌 (21)
- 강현숙, "高句麗古墳硏究", 박사, pp.1999
- 고광의, "4-7세기고구려벽화고분묵서의서예사적의의", 고구려연구, 7 (1999)
- 김기웅, "朝鮮半島の壁畵古墳" (1980)
- 김용준, "고구려고분벽화연구" (1958)
- 김원룡, "고구려고분벽화의기원에대한연구", 진단학보, 21 (1960)
- 김원룡, "한국벽화고분" (1980), 일지사
- 김일권, "고구려별자리와신화" (2008), 사계절
- 박진욱, "고구려벽화무덤의류형변천과편년에관한연구", 高句麗硏究, 4 (1997), 高句麗古墳壁畵
- 손수호, "고구려고분연구" (2001)
- 전호태, "고구려고분벽화에나타난하늘연꽃", 미술자료, 46 (1990)
- 전호태, "고구려고분벽화연구" (2000)
- 정호섭, "고구려 벽화고분의 현황과 被葬者에 대한 재검토", 민족문화연구, (49), pp.385~426 (2008), 민족문화연구원
- 정호섭, "高句麗古墳의造營과祭儀", 박사, pp.2009
- 박사, "조선유적유물도감" (1990)
- 주영헌, "고구려벽화무덤의편년에관한연구" (1961), 과학원출판사
- 東潮, "高句麗壁畵古墳の石室構造に關すゐ硏究", 高句麗硏究, 4 (1997), 고구려연구회
- 東潮, "高句麗考古學硏究" (1997)
- 楊泓, "高句麗壁畵石墓", 文物參考資料 (1958)
- 魏存成, "高句麗考古" (1994), 三星文化財團
- 劉萱堂, "中國集安高句麗壁畵墓與遼東遼西漢魏晉壁畵墓比較硏究", 高句麗硏究, 4 (1997), 고구려연구회
- 李殿福, "集安高句麗墓硏究", 考古學報, 2 (1980)
