로렌스(D. H. Lawrence)의 탈근대성 -니체(Friedrich Nietzsche)의 탈기독교적 시각과 후설(Edmund Husserl)의 현상학적 인식론과 관련-
D. H. Lawrence’s Postmodernity
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This study aims to discuss D. H. Lawrence’s postmodernity in the light of Friedrich Nietzsche’s unchristian thought and Edmund Husserl’s phenomenological epistemology. Lawrence, as Nietzsche does, puts emphasis on the self whose body and mind are inextricably interwoven founded on a intersubjective correlation. He shows his ideal aim of this kind through Ursula’s and Birkin’s efforts which mutually search for an inter-perceptive and inter-subjective basis in their relationship. And Lawrence, as Husserl does, explores and describes the inner reality of being through its external phenomena. The initial encounter between Tom Brengwen and Lydia in The Rainbow, or the intuitive perception between Birkin and Ursula in Women in Love, is a process of knowing each other through phenomenological intuition. The particular point in question is well illustrated by the scene in which Ursula is posited before a group of black horses, immediately after she has broken with Skrevensky.
Abstract
This study aims to discuss D. H. Lawrence’s postmodernity in the light of Friedrich Nietzsche’s unchristian thought and Edmund Husserl’s phenomenological epistemology. Lawrence, as Nietzsche does, puts emphasis on the self whose body and mind are inextricably interwoven founded on a intersubjective correlation. He shows his ideal aim of this kind through Ursula’s and Birkin’s efforts which mutually search for an inter-perceptive and inter-subjective basis in their relationship. And Lawrence, as Husserl does, explores and describes the inner reality of being through its external phenomena. The initial encounter between Tom Brengwen and Lydia in The Rainbow, or the intuitive perception between Birkin and Ursula in Women in Love, is a process of knowing each other through phenomenological intuition. The particular point in question is well illustrated by the scene in which Ursula is posited before a group of black horses, immediately after she has broken with Skrevensky.
참고문헌 (22)
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