영상언어 관점에서의 텍스트적 등가; 유표적 언어기호의 등가
Screen Language on Textual Equivalent: Equivalent of the Marked Structure Language Semiotics(LS)
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Screen language is an information dissemination media for screen semiotics(SS) that is formed according to the supplementation and the clarification of the signal phenomenon and pictures. Screen translation based on the understanding of the salient ‘aspect’, as the first contact in the source language to offer a combination of mark-induced media has become an important practice. Screen translation is the process of fixing and supplementing signs into a target screen text by the phenomena of the semiotics. As for how to translate the screen language, seeing from the methodology, the first contact(translator) and the other contacts(spectator) to receive the image of language there is disparity between the starting points on the significance of the interpretation of the critical language semiotics of the screen language. Therefore, the investigation into the view of the original text is necessary
Abstract
Screen language is an information dissemination media for screen semiotics(SS) that is formed according to the supplementation and the clarification of the signal phenomenon and pictures. Screen translation based on the understanding of the salient ‘aspect’, as the first contact in the source language to offer a combination of mark-induced media has become an important practice. Screen translation is the process of fixing and supplementing signs into a target screen text by the phenomena of the semiotics. As for how to translate the screen language, seeing from the methodology, the first contact(translator) and the other contacts(spectator) to receive the image of language there is disparity between the starting points on the significance of the interpretation of the critical language semiotics of the screen language. Therefore, the investigation into the view of the original text is necessary
참고문헌 (30)
- 김무규, "문학을 바라보는 영화", 문학과 영상, 5(2), pp.141~166 (2004), 문학과영상학회
- 김영민, "미디어 영화평론" (2005), C.J 엔터테이먼트
- 김영순, "문화, 미디어로 소통하기" (2004), 문학과 경계사
- 남완석, "인지주의", 신형식주의 영화이론: 사랑은 움직이는 거야, 문학과 영상, pp.2000, 1(2)[DOI]
- 박찬순, "그때 번역이 내게로 왔다-영상번역" (2005), 소통미학 한울 아카데미
- 윤희주, "영한 번역에서 문화적 어휘에 대한 유표적 번역 연구", 박사, pp.2004
- 자막없이 보기 The Devil Wears Prada, "오석태의 악마는 프라다를 입는다", pp.2008, 오석태
- 이다현, "번역 교육에 입각한 등가 불가성(Implausibility)을 위한 번역 장치", 현대영어교육, 6(2), pp.134~145 (2005), 현대 영어 교육학회
- 이영일, "영화개론" (1997), 집문당
- 이일범, "번역의 이론과 실제" (2003), 인문과학연구소 강원대학교 출판부
- 이일범, "악마는 프라다를 입는다 The Devil Wears Prada" (2007), 스크린영어사
- 장민호, "번역과 언어의 경제: 영화 번역을 중심으로", 국제회의통역과번역, 6(2), pp.97~126 (2004), 한국통역번역학회
- 정동빈, "영어학: 그 역사, 이론과 응용" (1991), 한신문화사
- 조창연, "영상 커뮤니케이션" (2005), 커뮤니케이션 북스
- 황선길, "문법파괴 영상번역" (1999), 범우사
- Baker, M., "In Other Words" (1992), Routledge
- Baker, M., "Routledge Encyclopedia of Translation Studies" (1998), Routledge
- Baker, M., "The Translator: Studies in Intercultural Communication: Evaluation and Translation 6" (2000), St. Jerome Pub
- Catford, J. C., "A Linguistic Theory of Translation", Oxford UP
- Chandler, D., "Semiotics" (1965), Routledge
- Chatman, S., "Story and Discourse. Narrative Structure in Fiction and Film" (1978), Comell UP
- Engelkamp, J., "Bild und Ton aus der Sicht der kognitiven Psychologie", Medienpsychologie, 4, pp.259~290 (1991)
- Grice, P., "Studies in the way of Words" (1989), Harvard UP
- Halliday, M.A.K., "Notes on Transitivity and Theme in English", Journal of Lingustics, 3(2), pp.199~202 (1967)
- Jacobsen, E., "Translation: A Traditional Craft" (1958), Nordisk Forlag
- Jakobson, R., "On Linguistic Aspects of Translation in : The Translation Studies Reader", pp.114~129 (2000), Routledge
- Lévy, J., "Die literarische Übersetzung. Theorie einer Kunstgattung" (1969), Athenäum
- Metz, C., "Sprache und Film" (1973), Suhrkamp
- Metz, C., "The Imaginary Signifier: Psychoanalysis and Cinema" (1977), Indiana UP
- Metz, C., "Die unpersönliche Enunziation oder der Ort des Films" (1997), Nodus