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셰익스피어와 정치적 정의: 『줄리어스 시저』를 중심으로

Shakespeare and Political Justice: An Essay on Julius Caesar.

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참고문헌

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주제분류영어와문학

초록

The aim of this study is to define Shakespeare’s political justice in Julius Caesar focused on its political chaos. In this play, Shakespeare presents the various aspects of characters’ political actions and the problems of struggle between power and justice. Caesar becomes a Roman emperor. He is one of the most outstanding rulers. He holds an absolute power and authority over the whole of Rome and controls over the Roman Empire. He converts the Roman Republic to the Roman Empire. But Caesar is not a complete emperor. Brutus attempts to put the Republic over his personal relationship with Caesar. He is considered as a model of Republican virtues. But Brutus is manipulated by Cassius and makes the political mistakes that bring down the Roman Republic. By examining the political problems in Julius Caesar, we can compare the political philosophy of Caesar with that of Brutus and see Shakespeare’s political attitude.

Abstract

The aim of this study is to define Shakespeare’s political justice in Julius Caesar focused on its political chaos. In this play, Shakespeare presents the various aspects of characters’ political actions and the problems of struggle between power and justice. Caesar becomes a Roman emperor. He is one of the most outstanding rulers. He holds an absolute power and authority over the whole of Rome and controls over the Roman Empire. He converts the Roman Republic to the Roman Empire. But Caesar is not a complete emperor. Brutus attempts to put the Republic over his personal relationship with Caesar. He is considered as a model of Republican virtues. But Brutus is manipulated by Cassius and makes the political mistakes that bring down the Roman Republic. By examining the political problems in Julius Caesar, we can compare the political philosophy of Caesar with that of Brutus and see Shakespeare’s political attitude.

참고문헌 (15)

  1. 김종환, "로마 사극에 나타난 셰익스피어의 민중관: 『줄리어스 시저』와 『코리오레이너스』", Shakespeare Review, 42(3), pp.393~420 (2006), 한국셰익스피어학회
  2. 이덕수, "쥴려스 시저" (1989), 형설출판사
  3. Bloom, Allan, "셰익스피어의 정치철학" (1985), 집문당
  4. Horton, R. W., "서양문학의 배경" (1988), 강원대학교출판부
  5. Courtney, Richard, "Shakespeare’s World of Death : The Early Tragedies" (1995), Simon & Pierre Publishing Co. Ltd
  6. Daiches, David, "Guilt and Innocence in Julius Caesar, In Shakespeare’s Tragedies", pp.39~41 (1982), Penguin Books Ltd
  7. Goddard, Harold C., "The Meaning of Shakespeare, Vol. I" (1960), The University of Chicago Press
  8. Hammill, Graham, "Shakespeare and Early Modern Political Thought, In Shakespeare Studies Vol. XI", pp.207~212 (2012)
  9. Kiernan, V. G., "Human Relationships in Shakespeare, In Shakespeare in a Changing World", pp.43~64 (1964), Lawrence & Wishart
  10. Laroque, François, "Shakespeare: Court, Crowd and Playhouse" (1993), Thames and Hudson
  11. McAlindon, T., "Shakespeare’s Tragic Cosmos" (1996), Cambridge UP
  12. Mehl, Dieter, "Shakespeare’s Tragedies: An Introduction" (1994), Cambridge UP
  13. Rutter, Carol Chillington, "Facing History, Facing Now: Deborah Warner’s Julius Caesar at Barbican Theatre", Shakespeare Quarterly, 57, pp.71~85 (2006)
  14. Shakespeare, William, "Julius Caesar, In The Arden Shakespeare" (1977), Methuen & Co Ltd
  15. Tennenhouse, Leonard, "Strategies of State and Political Plays: A Midsummer Night’s Dream, Henry Ⅳ, Henry Ⅴ, Henry Ⅷ, In Political Shakespeare", pp.109~128 (1985), Manchester UP

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