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Reading Paul Auster’s The New York Trilogy from an Intertextual Perspective

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Park, Yunki. “Reading Paul Auster’s The New York Trilogy from an Intertextual Perspective.” Studies in English Language & Literature 46.3 (2020): 81-103. Paul Auster’s The New York Trilogy, a collection of three different novels, is an unique post-modern work constructed by the different literary influences. As such, intertextuality, a term coined by Julia Kristeva, is a significant literary tool in his work. Auster has been actually much influenced, especially as a translator of French poetry during his stay in France in the 1970s, by Maurice Blanchot who was a wellknown writer, philosopher, and literary theorist. His work has also been influenced by the American authors such as Henry David Thoreau, Walt Whitman, Herman Melville, and Edgar Allan Poe. In an interview with Joseph Mallia in 1987, Auster said that the influence of Samuel Beckett had been so strong that he couldn’t see his way beyond it. This paper, therefore, will present an analysis of Paul Auster’s intertextuality from a theoretical perspective. (Paichai University)

Abstract

Park, Yunki. “Reading Paul Auster’s The New York Trilogy from an Intertextual Perspective.” Studies in English Language & Literature 46.3 (2020): 81-103. Paul Auster’s The New York Trilogy, a collection of three different novels, is an unique post-modern work constructed by the different literary influences. As such, intertextuality, a term coined by Julia Kristeva, is a significant literary tool in his work. Auster has been actually much influenced, especially as a translator of French poetry during his stay in France in the 1970s, by Maurice Blanchot who was a wellknown writer, philosopher, and literary theorist. His work has also been influenced by the American authors such as Henry David Thoreau, Walt Whitman, Herman Melville, and Edgar Allan Poe. In an interview with Joseph Mallia in 1987, Auster said that the influence of Samuel Beckett had been so strong that he couldn’t see his way beyond it. This paper, therefore, will present an analysis of Paul Auster’s intertextuality from a theoretical perspective. (Paichai University)

참고문헌 (25)

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  6. Bassnet, Susan, "The Translator as Writer" (2006), Continuum
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  8. Beckett, Samuel, "이름 붙일 수 없는 자" (2006), 워크룸프레스
  9. Blanchot, Maurice, "Faux Pas" (2001), Stanford UP
  10. Bloom, Harold, "Paul Auster" (2004), Chelsea House Publishers
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  12. Contat, Michel, "The Manuscript and the Book : A Conversation", Yale French Studies, 89, pp.160~187 (1996)
  13. 스티브 쿠츠, "30분에 읽는 사무엘 베케트" (2005), 랜덤하우스 중앙
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  15. Freud, Sigmund, "The Uncanny" (2003), Penguin Classics
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  17. Laura, María, "Paul Auster’s Ghosts: The Echoes of European and American Tradition" (2018), Lanham & London
  18. Holzapfel, Anne M., "The New York Trilogy: Whodunit?: Tracking the Structure of Paul Auster’s Anti-Detective Novel" (1996), Lang
  19. Martin, Brenda, "Paul Auster’s Postmodernity" (2008), Rutledge
  20. Melville, Herman, "Billy Budd and Other Stories" (1986), Penguin Books
  21. Rudat, Toni, "Paul Auster’s “City of Glass” as a Postmodern Detective Novel" (2006), Grin Verlag
  22. Varvogli, Aliki, "Paul Auster’s Fiction" (2001), Liverpool UP
  23. Venuti, Lawrence, "Translation, Intertextuality, Interpretation", Romance Studies, 27(3), pp.157~173 (2009)
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  25. Worton, M, "Intertextuality: Theory and Practice" (1993), Manchester UP

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