젊은 예술가의 초상』에 나타난 제임스 조이스의 미학이론
The Aesthetic Theory of James Joyce in A Portrait of the Artist as a Young man
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Abstract
James Joyce’s theory of art is mainly presented in the form of dialogue between Stephen Dedalus and other characters in A Portrait of the Artist as a Young Man. The theory is very important because it throws a bright light on the structure and themes of the work. Stephen refers to Aristotle and to St. Thomas Aquinas for the basis of his own theory, though he takes what he wants, shapes it to his own ends. In his aesthetic formulation, Joyce particularly borrows from Aquinas the terms for three aspects of beauty: Integritas, Consonantia, and Claritas. The three forms of art he makes distinction in his work are the lyrical, the epical and the dramatic. The generic distinctions he makes are perhaps an echo of Hegel, though he never mentions him anywhere. Fundamental to an appreciation of Joyce’s theory is to understand the concept of the epiphany and its use. As defined by Stephen and used by Joyce, the epiphany is a privileged moment of perception. It includes the themes of time, truth, morality and art. As a result, Joyce’s literary theory is very important not only to A Portrait of the Artist as a Young Man but to all of his works.
참고문헌 (33)
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