제임스 조이스와 그리스로마 신화
James Joyce’s Novel and Classic Myths
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Abstract
James Joyce is concerned with the relationship between myth and its literary expression, and some of his novels are perhaps based on the mythology. In this respect, this thesis aims to study his views on mythology and its literary relations with special reference to his novels, Portrait of the Artist as a Young Man and Ulysseys. In his novels Joyce develops mythic symbols and artistic creation elaborately. Joyce thinks that almost all his novels are a flight into the art from the real world. For example, Stephen Dedalus in Portrait of the Artist as a Young Man like Icarus in Greek myth tried to escape from the situation of the paralysis. In the end of the novel, Stephen declares that “I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.” In addition, Joyce’s mind is fettered by symbols drawn from mythology and history. The mythology congenial to him is partly Celtic, but the Greek myth is also very important to him. In Ulysses Joyce rewrites the myth of the Odyssey, one of the most well-known stories in the Western world. Ulysses unveils the basic assumptions of the Odyssey and subverts the world of myth through characters in the novel. Therefore, Joyce makes use of the mythological symbols and rituals to express the change of human civilization with much success in his novels.
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