『사랑』에 나타난 모리슨의 풍자미학
Toni Morrison’s Satiric Aesthetics in Love
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This study aims to discuss Morrison’s criticism of materialistic desire in her novel, Love. In this novel, Morrison’s critical focus is on material desire which assumes the form of legacy-warring from a satirical perspective. However, she doesn’t allow the reader to criticize her characters’ vices or weaknesses; neither does she impose a moral code or try to demonstrate how these faults can be overcome—an amelioration which pervades most conventional satires. Morrison, on the other hand, evades setting a moral code and amelioration by blurring, doubling, and overlapping her characters’ oppositions of vice and virtue, good and evil, and right and wrong. Her goal is to create a literary experience of grotesque and irony that evokes contemplative and emotional pleasure by using a tragic-comic tone. (Jeonju University)
Abstract
This study aims to discuss Morrison’s criticism of materialistic desire in her novel, Love. In this novel, Morrison’s critical focus is on material desire which assumes the form of legacy-warring from a satirical perspective. However, she doesn’t allow the reader to criticize her characters’ vices or weaknesses; neither does she impose a moral code or try to demonstrate how these faults can be overcome—an amelioration which pervades most conventional satires. Morrison, on the other hand, evades setting a moral code and amelioration by blurring, doubling, and overlapping her characters’ oppositions of vice and virtue, good and evil, and right and wrong. Her goal is to create a literary experience of grotesque and irony that evokes contemplative and emotional pleasure by using a tragic-comic tone. (Jeonju University)
참고문헌 (18)
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