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모리슨의 『사랑』: 흑인 부성과 상상적 자아

The Black Fatherhood and the Imaginary Self in Morrison’s Love

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This paper aims at analyzing the ironical relation of the black fatherhood and the imaginary self working through the repression and the dominance embedded in the unfair structure of black patriarchy in Toni Morrison’s Love. Emotionally detached by fathers, May, Heed, Christine, and Junior give themselves over to the patriarchy, the man who looms even larger in their imaginary self than in their real lives. To overcome the trauma of their parental abandonment and betrayal, they seek the physical and psychic solace, and the protection in Bill Cosy. However, the fantasy experiencing from Cosy’s hotel and resort magnify the desire for support from the larger symbolic structures to prevent anxiety and fear. Even though May, Heed, Christine, and Junior see Cosy through idealizing eyes, his patriarchy mimics the hierarchy and the exclusive structure of the white dominant culture. The imaginary self on Cosy’s patriarchy can trigger the vicious circle of repression and discrimination. Accordingly, parental affection, family nurturing, and community solidarity can contribute for black women to recover their earlier friendship and love by perceiving the reality of Cosy’s patriarchy.

Abstract

This paper aims at analyzing the ironical relation of the black fatherhood and the imaginary self working through the repression and the dominance embedded in the unfair structure of black patriarchy in Toni Morrison’s Love. Emotionally detached by fathers, May, Heed, Christine, and Junior give themselves over to the patriarchy, the man who looms even larger in their imaginary self than in their real lives. To overcome the trauma of their parental abandonment and betrayal, they seek the physical and psychic solace, and the protection in Bill Cosy. However, the fantasy experiencing from Cosy’s hotel and resort magnify the desire for support from the larger symbolic structures to prevent anxiety and fear. Even though May, Heed, Christine, and Junior see Cosy through idealizing eyes, his patriarchy mimics the hierarchy and the exclusive structure of the white dominant culture. The imaginary self on Cosy’s patriarchy can trigger the vicious circle of repression and discrimination. Accordingly, parental affection, family nurturing, and community solidarity can contribute for black women to recover their earlier friendship and love by perceiving the reality of Cosy’s patriarchy.

참고문헌 (16)

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  2. Caruth, Cathy, "Unclaimed Experience: Trauma, Narrative, and History" (1996), John Hopkins UP
  3. Collins, Patricia Hill, "Black Social Politics: African Americans, Gender, and New Racism" (2005), Routledge
  4. Evans, Elliott Butler, "Race, Gender, and Desire" (1989), Temple UP
  5. Gallego, Mar, "The Cambridge Companion to Toni Morrison" (2007), Cambridge UP
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  7. Homans, Margaret, "Women of Color Writers Feminist Theory", New Literary History, 25, pp.73~95 (1994)
  8. Mckinney-Whetstone, Diane, "The Nature of Love", Essence, 34(6), pp.201~216 (2003)
  9. Morrison, Toni, "Love" (2005), Vintage International
  10. Morrison, Toni, "Playing in the Dark: Whiteness and the Literary Imagination" (1993), Vintage
  11. Schreiber, Evelyn Jaffe, "Race, Trauma, and Home in The Novels of Toni Morrison" (2010), Louisiana State UP
  12. Showalter, Elaine, "The New Feminist Criticism" (1985), Pantheon
  13. Smith, Valerie, "Toni Morrison: Writing the Moral Imagination" (2012), Wiley Blackwell
  14. Silverblatt, Michael, "Toni Morrison Conversations", pp.216~223 (2008), UP of Mississippi
  15. Wardi, Anissa Janine, "A Laying on of Hands: Toni Morrison and the Materiality of Love", MELUS, 30(3), pp.201~218 (2005)
  16. Wyatt, Jean, "Love’s Time and the Reader: Ethical Effects of Nachtriglichkeit in Toni Morrison’s Love", Narrative, 16(2), pp.193~221 (2008)

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